Bound hardback account book, embossed on the spine 'Limerick Rent Book 180-1824' in gilt lettering. The book contains accounts kept by Francis Arthur, merchant and developer of Limerick city, primarily of rents collected from tenants of properties in his possession, including Arthurs Quay, Francis Street, Patrick Street, Denmark Street, William Street, Market Alley, Market Stalls, Boherboy & Sexton Street, Georges Street, Mary Street, Robert Street, Coloony Street, Pennywell, Coonagh and Mary Field in Limerick together with stores and ‘two extensive & valuable tenements situate in Buckingham Square & White Street' in Cork city. The book also contains accounts of Francis Arthur's annual business income and outgoings and of insurances payable by him, lists of rents assigned by Francis Arthur to his son Patrick Edmond Arthur and his son-in-law Daniel Leahy upon their respective marriages; transactions with various private banks including Robert Shaw & Co; Curtis, Robarts & Co.; and Thomas and William Roche; accounts of various court cases in which Arthur was involved and legal matters relating to the death of his son-in-law Patrick Grene [Greene] and his son Patrick Edmond Arthur; statements concerning bonds, mortgages and dividends; statements concerning rent arrears and other debts due to Arthur; and business accounts of his son-in-law Daniel Leahy. The latter pages contain accounts of financial transactions with individuals and businesses in France, including Luke Callaghan of Paris, Monsieur Everard Surdobbel of St Omer and Dominick Morel & Fils of Dunkerque [Dunkirk]. The accounts conclude with a list of Francis Arthur's funeral expenses added to the book in a different hand.

The back of the book contains a handwritten copy of a conveyance dated 1822 between Francis Arthur of the first part; his daughter Ellen Arthur of the second part; and his son-in-law Daniel Leahy of the third part, in which Arthur transfers the entirety of his property to Daniel Leahy to create a provision for his daughters Ellen Arthur and Margaret Leahy and to create a fund for his own maintenance and support.

The book is paginated but the pagination is irregular. For the accounts part, mirrored pagination has been applied, that is the verso and recto sides of an opening bear the same page number. Pages 1a-4a are missing, as are pages 10b/11a, 31b-35a, 42a/43b (except for the topmost part), 48b/49a, 51b/52a and 70b/71a. About one third of page 61b/62a is missing, while pages 74b/75a and 96b-98a lack bottom halves. From page 147 each page is numbered individually; page 154 appears three times, and from page 155 to book reverts to mirrored numbering until its conclusion with page 165. The pages at the end of the book containing the copy conveyance have been numbered individually, from 1 to 74. The intervening pages between these two sections are blank, except for sketches by a young person. Similar sketches appear on other pages throughout the book and are probably of late nineteenth- or early twentieth-century origin.

Bound hardback Collins Balmoral Series account book containing on pages 1-9 and 332-354 minutes of the annual general meetings of the Mid-Limerick Brigade of the National Association of Old IRA between 17 January 1965 and 5 February 1976 and on pages 11-165 minutes of their monthly, special and extraordinary meetings held between 2 March 1967 and 1 January 1976, pages 10 and 166-331 being blank. Interspersed with the monthly meetings are also intermittent minutes of the Dinner Dance Committee.

The meetings took place at the Mechanics Institute [Hartstonge Street] in the mid-1960s, in the Clare Chambers [10 O’Connell Street] from October 1969 and at the Transport Union Hall at 91 O’Connell Street from April 1973. Occasional meetings also took place at the Gaelic League Hall on Thomas Street. The primary purpose of the annual general meetings was the election of officers. At the 1970 annual general meeting a decision was made to rotate the chairmanship annually; however, just two years later, after the particularly successful chairmanship of Tom Dargan, the resolution to bar a chairman from seeking re-election was rescinded.

The general monthly meetings revolved around preparations for special events such as St Patrick’s Day parade, Easter Rising commemorations and the annual dinner dance and social. In 1965, a committee was formed between the Old IRA and Sinn Fein to organise an Easter parade. As Sinn Fein objected to carrying rifles through the streets or at the graveside, a decision was made that ‘for the sake of unity… the Rifles should be left aside for the Parade’ (AGM, 17 January 1965). In 1969, a debate began on whether members should revert to carrying their rifles. As no decision could be made on the subject, it was eventually decided that the Army should take over as a firing party at Old IRA funerals (5 October 1972).

The needs of members also played a central role. At each meeting, the names of deceased members or deceased relatives of members were read out and masses organised in their honour. Condolences were sent to grieving families and financial assistance was organised for those who struggled to carry the cost of funeral expenses. Hospital visits were made every Christmas to deliver gifts to hospitalised members. The committee also assisted with applications for pensions, service medals, free travel cards and other forms of financial assistance. In 1970, the committee complained to the Department of Defence that ‘the peak hours which prohibited [free] Travel Card holders on City Bus Services was too long’ (1 February 1970). In the same year, they unsuccessfully sought an increase in free electricity allowance (1 April and 3 June 1970).

Although the Organisation avoided becoming involved with Irish politics, it by no means remained immune. In 1971, it made a resolution to ‘ask the Government to resist completely the present attempt by American Carriers to secure landing rights in Dublin and continue to afford Shannon & the mid West the opportunity of continued development and posterity [sic]’ (4 November 1971). In 1974, two visiting members of the Anti-Internment Committee attended the monthly meeting, as a consequence of which a resolution was adopted that ‘we are opposed in principal to the internment of civilians without trial… [and] that internment in Northern Ireland now 3 years in operation is both a continuing cause of violence & a primary obstacle to the success[ful] call of the immediate release of all internees’ (7 November 1974). Advantage was also taken of the changing of the political guard. In 1970, when the committee’s petition for free travel for the wives and widows of Old IRA members was rejected by the Minister for Defence, they turned to the newly appointed Minister for Justice, Desmond O’Malley, to see if he could make it happen (1 October 1970).

Commemoration played an important part in the Organisation’s activities. They contributed to the Limerick Memorial fund, the purpose of which was to erect a monument on Sarsfield Bridge to honour those who died in the Easter Rising and attended the unveiling in great numbers. Although ‘ranks had been broken at conclusion of march’ and ‘there were complaints too regarding seating accommodation’, the unveiling was deemed a great success (AGM 3 February 1972). In 1970, the Organisation campaigned for a special stamp to be issued to commemorate the murders of Michael O’Callaghan and George Clancy, Mayors of Limerick in March 1921 (3 December 1970, 25 February 1971). The news of the death of Éamon de Valera was received with due decorum. All present stood in silent prayer as a mark of respect, the Chairman paid tribute to his memory and ‘recalled de Valera’s meeting with the Old I.R.A. in Limerick just after the Truce in 1921’ (2 October 1975).

What dominates the minute book is the steadily increasing number of condolences to bereaved families of deceased members. Already in 1966 the honorary secretary noted how ‘the ranks were getting thinner & thinner every year and that for the year that had passed a lot of our members had gone to their eternal reward’ (3 March 1966). In 1975, by which time meetings had moved to a room in the Transport Union Hall, some members ‘considered the stairs climbing a bit strenuous’ and requested ‘that the Chairman & Secretary see Union Officials with a view to getting a Room nearer the basement’ (6 February 1975). The minute book thus serves as a poignant record of the increasing frailty and gradual fading away of the generation who fought for Irish freedom.

This collection contains records of the organisation, management and finances of the Limerick Protestant Young Men's Association, its members, staff, premises and club activities, particularly during the height of the Association's popularity in the 1920s and 1950s. There are no records relating to the Association’s foundation or early years (1853-1874), and few relating to its activities after 1959, when its popularity began to vane. The records are purely of administrative nature and reveal little of the Association’s temporal and spiritual aspirations. Arising from the fact that the Association’s secretaries were not obliged to hand over records in their possession upon resignation, some years and some aspects of the Association’s activities remain poorly recorded.

This collection comprises a scrapbook compiled by Agnes Mary Gaffney and a number of loose items found inserted inside it. It provides insights into the life and lifestyle of the members of a prominent and politically influential Roman Catholic family and their role not only in the formation of the Irish republic but on the wider arena of Irish-American republicanism and the campaign for women’s rights.

This collection comprises a scrapbook compiled by Charles Henry Gubbins and a number of loose items found inserted inside the book. The collection provides insights into the personal life of a humorous and sociable man and, more broadly, the rich cultural and sporting life of Munster in the last decades of the nineteenth century.

The material consists of correspondence, speeches, press cuttings, photographs and taped interviews relating to Frances Condell’s political career; typescripts and drafts of poems, articles, short stories and stories for children; genealogical material and photographs relating to the Eades family; and assorted recordings. Collection highlights include letters signed by President John F. Kennedy, Senator Edward Kennedy and Mrs Lyndon B. Johnson, and correspondence with the American poet Beverley Githens Dresbach (1903-1971).

This collection contains research notes and research material generated and collected by Grace O’Malley Cantillon while preparing her book on family history titled The Round House O’Malleys: The Power of One Woman! (2014). The collection encompasses a range of primary manuscript material sourced by the author, including letters from her uncle Thomas O’Malley to his mother and sisters while trying to carve out a life for himself in Australia between 1910 and 1914 (P83/1/6/3/2-11). Another interesting compilation of primary material (degree certificates, apprenticeship agreements, personal correspondence and memoirs) relates to Grace O’Malley Cantillon’s father, Charles Vincent O’Malley, who operated a successful dental practice in Limerick city in the first half of the twentieth century (see P83/1/6/7/1/1-P83/1/6/7/5/6). Also worth noting are the memoirs of Frank O’Malley describing his life as a rubber planter in early twentieth-century Malaya (P83/1/6/6/3-5). In addition, there is an extensive photographic component extending back to the 1880s. The primary material in this collection provides useful insights into Ireland as part of the British empire and the blossoming of the prosperous Irish Roman Catholic professional class following Irish independence.

Membership lists, correspondence, account books, financial reports, minutes, statements and press releases relating to The Ancient Guild of Incorporated Brick and Stonelayers’ Trade Union, Woodworkers and Plasterers’ Trade Union, Construction Industry Federation, Irish Congress of Trade Unions, Limerick Building Trades Group, SIPTU and other trade unions and union activities (1962-1998); rules, correspondence, bills, receipts and financial reports relating to the Mechanics’ Institute (1882-1996); constitutions and policy statements, press statements, speeches, membership lists, minutes, financial statements, election manifestos, correspondence, pamphlets and posters relating to the Democratic Socialist Party (1980-1994); minutes, reports, statements, accounts and correspondence relating to the Labour Party (1965-1997); electoral material and correspondence relating to Kemmy’s Dáil terms and electoral campaigns (1977-1997); correspondence, speeches, press releases, minutes and appointment diaries relating to Kemmy’s activities as Alderman and Mayor (1974-1997); appeals, petitions and other correspondence relating to Kemmy’s constituency work (1967-1997); articles and draft articles, research material (including nineteenth-century documents) and correspondence relating to Kemmy’s historical and literary activities; and photographs, artwork, correspondence and a small number of other items of personal nature.

This collection is a fascinating record of the life and career of writer Kate O’Brien, providing not only a cross-section of her literary output, but also an insight into the private world of one of Limerick’s most prolific daughters. This body of material is an extremely valuable source for researchers in Ireland and abroad. It contains many personal items such as O’Brien’s correspondence with family, friends and admirers, diaries recording appointments and other news, and material relating to her financial affairs. Her long-term relationship with artist Mary O’Neill is reflected in a number of cards and postcards exchanged between the two women from the late 1940s until the year of O’Brien’s death. Letters from José M. De Areilza, one of O’Brien’s former students in Bilbao, suggest how living and working in Spain influenced the writer. De Areilza states the following in a letter dated 26 May 1952, ‘…this year I went to London for a short trip… and found at last the famous “Mary Lavelle” which I was looking for since years ago. You can imagine with what a tremendous anxiety I went through that pages and the vivid scenes of life in “Casa-Pilar” at Cabantes, Altorno. The book is really fascinating. And for me it was still more, because a whole world which slept in my memories, for years, woke up and dreamt again as in the golden times of adolescence. Thank you, Miss Kitty, for bringing to life that dear shadows of my youth!’ (P12/1/2/2/5).

O'Brien’s diaries, dating from the early 1960s and covering just over a decade, record the writer’s daily activities, appointments, travel plans, financial dealings and occasionally more personal information such as the state of her health or mood. The collection also provides insights into O’Brien’s financial affairs. A letter to the Collector of Taxes in London dated 5 June 1963 reveals her on-going struggle to control her finances, ‘…I am not resident in the British Isles. It is my intention to live there, but since I sold my house in Ireland three and a half years ago I have been in very bad circumstances; have been living as the guest of friends and relatives in Ireland or in Spain, am unable to pay rent anywhere, and earn only pittances… I cannot afford to rent even a bed-sitting room’ (P12/1/4/2/5).

The component of O’Brien’s literary work is mostly in draft format and often contains handwritten amendments. It consists of travelogues, articles, essays and short stories, lectures, biographies, novels, and material for radio and film. Essays and short stories in draft format include ‘Singapore has fallen’ (1942), ‘On Ballycottin Strand’ (1945), ‘Old Balls MacSweeney’ (1956), ‘Boney Fidey’ (1956) and ‘Manna’ (1962). Two drafts of ‘Presentation Parlour’, the author’s reminiscences of her aunts, are contained in the collection. One of these documents reveals a selection of possible titles for the final publication including ‘Presentation Parlour’, ‘Five Aunts’ or ‘My Aunts’ (P12/2/1/4/2/1). One of the most interesting components, however, is the body of material relating to O’Brien’s last novel, ‘Constancy’, which remained incomplete at the time of her death. The collection holds both handwritten and typescript drafts of book one and two of the novel, each containing their own amendments. O’Brien’s interest in poetry is also reflected in two handwritten drafts of a poem about Haverstock Hill executed by the author in 1964.

The collection also illuminates O’Brien’s dealings with her literary agents and publishers and includes publishing contracts outlining conditions relating to copyright, royalties, publishing rights and payments, as well as financial material and correspondence. The author’s involvement with broadcasting bodies such as British Broadcasting Corporation (BBC), Radio Éireann and Radio Telefís Éireann (RTE) is also represented. A letter from Guy Vaesen from the Script Unit of the BBC dated 12 October 1973 refers to the script for ‘Pray for the Wanderer’, stating ‘It has not been the easiest novel in the world to dramatize and this final version is the fourth’ (P12/2/3/1/2).

Also of interest are mostly typescript drafts of articles produced by O’Brien from her home in Kent as part of the ‘Long Distance’ series for the Irish Times, addressing a variety of issues from Northern Ireland to Charles de Gaulle. There are also drafts of lectures for different audiences including the Europea degli Scrittori, Sir William Gibb School for Girls in Faversham, Canterbury College of Art, and Association of Professional and Business Women. Of additional interest is O’Brien’s involvement with educational projects such as the Catholic Youth Encyclopaedia, Irish Week in the University of Valladolid in Madrid, Spain, and the Canadian Association for Irish Studies in McGill University in Montreal, Canada.

Media coverage of Kate O’Brien includes reviews and articles relating to the author’s work dating from the 1920s to the middle of the 1980s, a scrapbook of press-cuttings from 1927 to 1934, and a number of articles on other subjects including the death of actress Katherine Cornell, the Burren in county Clare and politician Cecelia Lynch. There are also press cuttings relating to the death of O’Brien in 1974 in the Irish and British Press. Publications and other printed matter in the collection include works by Kathleen Cunningham, copies of two of O’Brien’s novels, ‘Without My Cloak’ (which contains the signature of Mary O'Neill's sister, Elizabeth Hall), and ‘Mary Lavelle’, a programme of a bullfight at Plaza de Toros de Madrid, and of the play ‘That Lady’ performed at Dipson’s Erlanger Theatre in October 1949. An essay by O’Brien entitled ‘As to University Life’ includes a handwritten note on the cover of the volume which reads ‘This may amuse you, pet – frightful misprints and all! It is causing uproar in the Governing Body of UCD – which was my hope & purpose in writing it’ (P12/4/7).

The photographic component provides a valuable record of O’Brien’s family life growing up in county Limerick, school days in Laurel Hill Convent, graduation from University College Dublin, close relationship with her sister Nance, travels to Spain and other locations, brief marriage to Gustaff Renier, literary commitments, life at The Fort in Roundstone, county Galway, move to Kent, England, and passion for cats. Some of the more memorable images in the collection include a black and white photograph of O’Brien’s mother Catherine as a beautiful young woman prior to her premature death from cancer (P12/5/1/1), two black and white images of schoolgirls from Laurel Hill Convent, some of the studio portraits of O’Brien (P12/5/2/1/1-17), and an image of O’Brien’s husband, Gustaff Renier (P12/5/1/31).

The collection also documents the sickness and subsequent death of Kate O’Brien in August 1974, and includes documentation from Canterbury Hospital relating to her personal possessions, copies of her death certificate, and correspondence between family and friends. The administration of the writer’s estate is also addressed, and significant documents include O’Brien’s last will and testament, a codicil of will, and material relating to Mary O’Neill’s dealings in her capacity as O’Brien’s Literary Executrix.