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This collection contains records of the organisation, management and finances of the Limerick Protestant Young Men's Association, its members, staff, premises and club activities, particularly during the height of the Association's popularity in the 1920s and 1950s. There are no records relating to the Association’s foundation or early years (1853-1874), and few relating to its activities after 1959, when its popularity began to vane. The records are purely of administrative nature and reveal little of the Association’s temporal and spiritual aspirations. Arising from the fact that the Association’s secretaries were not obliged to hand over records in their possession upon resignation, some years and some aspects of the Association’s activities remain poorly recorded.

Programmes, posters, flyers, brochures, photographs and publications collected by Patricia Crosbie. The material reflects her dancing career, particularly her involvement with the Cork Ballet Company, Irish Ballet Company, and Irish National Ballet.

Posters, programmes, flyers, press cuttings and photographs relating to the performances and other activities of Rubato Ballet and Fiona Quilligan’s subsequent career as a freelance choreographer.

The material consists of correspondence, speeches, press cuttings, photographs and taped interviews relating to Frances Condell’s political career; typescripts and drafts of poems, articles, short stories and stories for children; genealogical material and photographs relating to the Eades family; and assorted recordings. Collection highlights include letters signed by President John F. Kennedy, Senator Edward Kennedy and Mrs Lyndon B. Johnson, and correspondence with the American poet Beverley Githens Dresbach (1903-1971).

Glass plate negatives depicting images of Edward Donogh O’Brien, 14th Baron Inchiquin of Dromoland and Leamanegh, his children from his second marriage to Ellen Harriet née White, other family members and friends. Also depicted are views of Dromoland Castle and grounds, scenic beauty spots in County Clare and country houses and their occupants in England.

This collection contains material relating to J. M. O’Neill’s career as a writer, including drafts and proofs of his plays and novels, press cuttings, publicity material and correspondence. A thesis discussing the significance of O’Neill’s work in the context of Irish writing is also included.

This collection comprises musical notations of jigs, reels, hornpipes, mazurkas, flings, gallops, quadrilles, lancers, schottisches, mazurkas and waltzes popular in Ireland at the turn of the twentieth century.

This collection contains some of Seán Lysaght's published works (including essays, poetry and book reviews) and correspondence with publishing companies, journals and newspapers illustrating his early development and maturing as a poet.

This collection contains manuscripts of five of Michael Curtin’s six novels and correspondence relating to his career as a writer.

This collection contains photographs, correspondence, school records and ephemera accrued by Hella Scholz during her youth and early adulthood. They provide insights into her life in Germany before and during the Second World War, which revolved mainly around school, hobbies, boyfriends and holidays. Wartime administration and the Nazi regime feature faintly in the backdrop: Hella was a member of Hitler Youth and of Bundes Deutscher Mädel (League of German Girls), the girls’ wing of the Nazi Party youth movement. However, apart from owning a portrait of Adolph Hitler, there is no indication of Hella being a Nazi sympathiser, she was simply a young middle-class girl growing up during the Nazi regime. Some of the collection highlights include Hella’s correspondence with Günther Junge, a rare enough example of an exchange in which the letters of both parties survive, and an extensive photographic record of Hella’s life. The collection provides intimate glimpses of a life which remained remarkably happy and stable during an extraordinarily dark period of European history. Spanning as it does the rise and fall of National Socialism in twentieth-century Germany and post-war Britain, it forms a rewarding primary source for researchers of this era.