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Titre
Date(s)
- December [2003?] (Création/Production)
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Étendue matérielle et support
1 item (outsize – telescopic box)
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Histoire administrative
Firkin Crane, one of Cork City’s landmark buildings, was designed in 1855 by Sir John Benson to meet the needs of the city’s thriving butter market. Following the closure of this trade in 1924, the building acted as a margarine factory. It was later acquired by Joan Denise Moriarty with the financial assistance of the Arts Council to have it refurbished as a home for her professional dance company. During the refurbishment, the building was gutted by fire. It was subsequently restored with support from Cork City Council, the Irish Government, the European Union, Irish businesses, multi-national corporations and the Irish American Fund, and re-opened in 1992 as a centre dedicated to dance, living theatre, concerts, opera, art exhibitions, poetry readings and a variety of sound, visual and multimedia arts. Until 2006, Firkin Crane was also the location of the Institute for Choreography and Dance (ICD), directed by Mary Brady, which aimed to stimulate choreographic practice and dance research as a means of dance development. It provided space for interchange between choreographers to examine issues, work methodologies and goals particular to each, in a practice-centred environment. Today, Firkin Crane provides a supportive environment for professional artists in the form of a professional residency programme, Blank Canvas.
Histoire archivistique
Source immédiate d'acquisition ou de transfert
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Portée et contenu
Poster promoting performances of Trigger, an evening of new dance from three choreographers at Firkin Crane on 9-10 December [2003?]. The repertoire included More Below than Above created by Julie Lockett, Matra by Mairéad Vaughan and Please Put Your Finger Away by Rebecca Walter.
Appraisal, destruction and scheduling
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Zone des conditions d'accès et d'utilisation
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Language of material
- anglais