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Descripción archivística
The Fearghus Ó Conchúir Papers
IE 2135 NDAI N5 · Fondo · 2002-2010

The collection comprises programmes, brochures, posters and other promotional material relating to Fearghus Ó Conchúir’s choreographies and other projects in which he has participated. The items reflect both the diversity of Ó Conchúir’s international career and his intimate connection with his Gaeltacht roots.

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The Victoria O'Brien Papers
IE 2135 NDAI N6 · Fondo · 1948-2012

Programmes, flyers, conference proceedings, printed material, and recorded interviews collected by Victoria O’Brien, reflecting her interest in both the historical aspects of and current developments in ballet and contemporary dance. Much of the material in this collection was created and generated by Victoria O’Brien for her doctoral dissertation, published as A History of Irish Ballet from 1927 to 1963 by Peter Lang (Oxford and New York) in 2011.

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The Cliodna O'Riordan Papers
IE 2135 NDAI N2 · Fondo · 1955-1969, 2010

Programmes, press cuttings, photographs, letters, and certificates collected by Cliodna O’Riordan. The items reflect the early years of the Irish National Ballet School and O’Riordan’s subsequent interest in ballet and other forms of dance.

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The Sara Payne Papers
IE 2135 NDAI N43 · Fondo · 1921-1945

Mainly programmes and press cuttings illustrating Sara Payne’s career as a dancer, teacher and choreographer; the activities of the Payne School of Dance and Mime; and the early development of ballet as an art form in Ireland.

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The O'Mahony-Keniry Papers
IE 2135 NDAI N86 · Fondo · c. 1900-2024 (predominantly 1948-1998)

This collection contains memorabilia relating to the Irish dancing school established in Castlemartyr by James O’Mahony in the 1930s and its subsequent expansion to Midleton and Youghal by his daughter, Kathleen Keniry. The collection highlight is James O’Mahony’s notebook (N86/3/1), in which are recorded traditional step dances from many of the dancing masters prominent in Cork in the early twentieth century. The documented steps in the book provide a rare insight into step dances popular at the time and make possible their reconstruction and closer study.

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The Gerard O'Meara Collection
IE 2135 NDAI N25 · Fondo · 1974-1975, 1988

This collection comprises photographs taken by Gerard O’Meara of the Irish National Ballet Company’s tour in County Cork in 1974 and 1975 and of Joan Denise Moriarty’s ballet classes in Mallow in 1975 and 1988.

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The Maura Rothery Collection
IE 2135 NDAI N71 · Fondo · [1929?]

Book entitled Rinnci na h-Éireann. National Dances of Ireland. Containing Twenty-Five Traditional Irish Dances Collected from Original Sources in Ireland by J. M. Land, Late Principal of the National School of Irish Dancing, and National Dance Music Including an Original Composition by Arthur Darley. With Full Directions for Performance and Numerous Illustrations and Diagrams. Edited and described by Elizabeth Burchenal. Piano arrangements by Emma Howells Burchenal. New York: G. Schirmer Inc., [1929?].

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The Dublin Youth Dance Company Papers
IE 2135 NDAI N12 · Fondo · 2003-2005, 2007-2011

This collection contains posters, flyers, brochures, postcards, programmes and recordings illustrating the activities of the Dublin Youth Dance Company and the annual Irish Youth Dance Festival under Mariam Ribón’s artistic directorship.

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The Patricia Crosbie Papers
IE 2135 NDAI N4 · Fondo · 1968-2012 (predominantly 1977-1986)

Programmes, posters, flyers, brochures, photographs and publications collected by Patricia Crosbie. The material reflects her dancing career, particularly her involvement with the Cork Ballet Company, Irish Ballet Company, and Irish National Ballet.

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The Fiona Quilligan Papers
IE 2135 NDAI N7 · Fondo · 1987-2011

Posters, programmes, flyers, press cuttings and photographs relating to the performances and other activities of Rubato Ballet and Fiona Quilligan’s subsequent career as a freelance choreographer.

Sin título