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This collection contains a diverse range of records relating to the Lilburn family of Limerick city. The first part contains material created and generated by the accountancy firm of Metcalfe, Lilburn and Enright, illustrating the growth and development of the company from the 1920s to the 1970s. The client files show the practice to have been the leading Protestant accountancy firm in the city, with clients such as Adare Tobacco Manufacturing Company established by the fourth Earl of Dunraven in the early 1900s. The second part consists of personal records of the Lilburn family, predominantly relating to the education and hobbies of Hugh Lilburn and his son Stewart Lilburn. Of particular note is a set of personal account books which provides useful insights into middle class household economy from the 1920s to the 1970s. Also of interest are the minute books of the North Munster branch of the Irish Hockey Union from 1901 to 1941. The third part comprises records of the Limerick Presbyterian Church, mostly created by Stewart Lilburn in his role as Honorary Secretary in the 1960s and 1970s. This part also contains a copy of Hugh Lilburn’s book Presbyterians in Limerick (1946) and a subsequent reprint (1959). Together, these three parts provide a valuable cross-section of all aspects of the lives of three generations of a well-to-do Protestant middle-class family in twentieth-century Limerick.

Printed circulars and postcards from Cannock and Company, Limited, mainly addressed to the Secretary or to ordinary stockholders of the company, and mainly relating to extraordinary general meetings and other business of administrative and financial nature.

This collection is a fascinating record of the life and career of writer Kate O’Brien, providing not only a cross-section of her literary output, but also an insight into the private world of one of Limerick’s most prolific daughters. This body of material is an extremely valuable source for researchers in Ireland and abroad. It contains many personal items such as O’Brien’s correspondence with family, friends and admirers, diaries recording appointments and other news, and material relating to her financial affairs. Her long-term relationship with artist Mary O’Neill is reflected in a number of cards and postcards exchanged between the two women from the late 1940s until the year of O’Brien’s death. Letters from José M. De Areilza, one of O’Brien’s former students in Bilbao, suggest how living and working in Spain influenced the writer. De Areilza states the following in a letter dated 26 May 1952, ‘…this year I went to London for a short trip… and found at last the famous “Mary Lavelle” which I was looking for since years ago. You can imagine with what a tremendous anxiety I went through that pages and the vivid scenes of life in “Casa-Pilar” at Cabantes, Altorno. The book is really fascinating. And for me it was still more, because a whole world which slept in my memories, for years, woke up and dreamt again as in the golden times of adolescence. Thank you, Miss Kitty, for bringing to life that dear shadows of my youth!’ (P12/1/2/2/5).

O'Brien’s diaries, dating from the early 1960s and covering just over a decade, record the writer’s daily activities, appointments, travel plans, financial dealings and occasionally more personal information such as the state of her health or mood. The collection also provides insights into O’Brien’s financial affairs. A letter to the Collector of Taxes in London dated 5 June 1963 reveals her on-going struggle to control her finances, ‘…I am not resident in the British Isles. It is my intention to live there, but since I sold my house in Ireland three and a half years ago I have been in very bad circumstances; have been living as the guest of friends and relatives in Ireland or in Spain, am unable to pay rent anywhere, and earn only pittances… I cannot afford to rent even a bed-sitting room’ (P12/1/4/2/5).

The component of O’Brien’s literary work is mostly in draft format and often contains handwritten amendments. It consists of travelogues, articles, essays and short stories, lectures, biographies, novels, and material for radio and film. Essays and short stories in draft format include ‘Singapore has fallen’ (1942), ‘On Ballycottin Strand’ (1945), ‘Old Balls MacSweeney’ (1956), ‘Boney Fidey’ (1956) and ‘Manna’ (1962). Two drafts of ‘Presentation Parlour’, the author’s reminiscences of her aunts, are contained in the collection. One of these documents reveals a selection of possible titles for the final publication including ‘Presentation Parlour’, ‘Five Aunts’ or ‘My Aunts’ (P12/2/1/4/2/1). One of the most interesting components, however, is the body of material relating to O’Brien’s last novel, ‘Constancy’, which remained incomplete at the time of her death. The collection holds both handwritten and typescript drafts of book one and two of the novel, each containing their own amendments. O’Brien’s interest in poetry is also reflected in two handwritten drafts of a poem about Haverstock Hill executed by the author in 1964.

The collection also illuminates O’Brien’s dealings with her literary agents and publishers and includes publishing contracts outlining conditions relating to copyright, royalties, publishing rights and payments, as well as financial material and correspondence. The author’s involvement with broadcasting bodies such as British Broadcasting Corporation (BBC), Radio Éireann and Radio Telefís Éireann (RTE) is also represented. A letter from Guy Vaesen from the Script Unit of the BBC dated 12 October 1973 refers to the script for ‘Pray for the Wanderer’, stating ‘It has not been the easiest novel in the world to dramatize and this final version is the fourth’ (P12/2/3/1/2).

Also of interest are mostly typescript drafts of articles produced by O’Brien from her home in Kent as part of the ‘Long Distance’ series for the Irish Times, addressing a variety of issues from Northern Ireland to Charles de Gaulle. There are also drafts of lectures for different audiences including the Europea degli Scrittori, Sir William Gibb School for Girls in Faversham, Canterbury College of Art, and Association of Professional and Business Women. Of additional interest is O’Brien’s involvement with educational projects such as the Catholic Youth Encyclopaedia, Irish Week in the University of Valladolid in Madrid, Spain, and the Canadian Association for Irish Studies in McGill University in Montreal, Canada.

Media coverage of Kate O’Brien includes reviews and articles relating to the author’s work dating from the 1920s to the middle of the 1980s, a scrapbook of press-cuttings from 1927 to 1934, and a number of articles on other subjects including the death of actress Katherine Cornell, the Burren in county Clare and politician Cecelia Lynch. There are also press cuttings relating to the death of O’Brien in 1974 in the Irish and British Press. Publications and other printed matter in the collection include works by Kathleen Cunningham, copies of two of O’Brien’s novels, ‘Without My Cloak’ (which contains the signature of Mary O'Neill's sister, Elizabeth Hall), and ‘Mary Lavelle’, a programme of a bullfight at Plaza de Toros de Madrid, and of the play ‘That Lady’ performed at Dipson’s Erlanger Theatre in October 1949. An essay by O’Brien entitled ‘As to University Life’ includes a handwritten note on the cover of the volume which reads ‘This may amuse you, pet – frightful misprints and all! It is causing uproar in the Governing Body of UCD – which was my hope & purpose in writing it’ (P12/4/7).

The photographic component provides a valuable record of O’Brien’s family life growing up in county Limerick, school days in Laurel Hill Convent, graduation from University College Dublin, close relationship with her sister Nance, travels to Spain and other locations, brief marriage to Gustaff Renier, literary commitments, life at The Fort in Roundstone, county Galway, move to Kent, England, and passion for cats. Some of the more memorable images in the collection include a black and white photograph of O’Brien’s mother Catherine as a beautiful young woman prior to her premature death from cancer (P12/5/1/1), two black and white images of schoolgirls from Laurel Hill Convent, some of the studio portraits of O’Brien (P12/5/2/1/1-17), and an image of O’Brien’s husband, Gustaff Renier (P12/5/1/31).

The collection also documents the sickness and subsequent death of Kate O’Brien in August 1974, and includes documentation from Canterbury Hospital relating to her personal possessions, copies of her death certificate, and correspondence between family and friends. The administration of the writer’s estate is also addressed, and significant documents include O’Brien’s last will and testament, a codicil of will, and material relating to Mary O’Neill’s dealings in her capacity as O’Brien’s Literary Executrix.

The collection comprises correspondence, press cuttings, press releases, reports, TV and radio broadcasts and photographs which reconstruct in considerable detail the events surrounding Herrema’s kidnapping and release and the subsequent trials of his abductors. Included among these items are police surveillance tapes recorded during the siege at Monasterevin and interior photographs of the house in which Herrema was held captive. Also included in the collection are correspondence, press cuttings, speeches, reports, photographs and recordings which illustrate Herrema’s career prior to and following his kidnapping, and his personal interests in later life. These items, in particular the considerable amount of material relating to Herrema’s appearance in the media, reflect the dramatic way in which the kidnapping changed the course of Herrema’s life.

This collection contains records of the organisation, management and finances of the Limerick Protestant Young Men's Association, its members, staff, premises and club activities, particularly during the height of the Association's popularity in the 1920s and 1950s. There are no records relating to the Association’s foundation or early years (1853-1874), and few relating to its activities after 1959, when its popularity began to vane. The records are purely of administrative nature and reveal little of the Association’s temporal and spiritual aspirations. Arising from the fact that the Association’s secretaries were not obliged to hand over records in their possession upon resignation, some years and some aspects of the Association’s activities remain poorly recorded.

The collection comprises primarily letters and copies of letters by members of the Monsell family or individuals associated with them. Of particular note is a letter book kept by the shipping merchant William Monsell (P2/1/1), which contains copies of some 1,200 items of mainly business correspondence, giving a unique insight into Limerick as a maritime mercantile city in the early eighteenth century. Of equal interest is the fragment of a diary (P2/1/12) kept by his grandson, the Reverend Samuel Monsell (1743-1818), Precentor of Ardfert from 1791 to 1811, which provides an extraordinary account of the private life and innermost thoughts of a Church of Ireland clergyman struggling to stay on the path of virtue.

The material consists of correspondence, speeches, press cuttings, photographs and taped interviews relating to Frances Condell’s political career; typescripts and drafts of poems, articles, short stories and stories for children; genealogical material and photographs relating to the Eades family; and assorted recordings. Collection highlights include letters signed by President John F. Kennedy, Senator Edward Kennedy and Mrs Lyndon B. Johnson, and correspondence with the American poet Beverley Githens Dresbach (1903-1971).

This collection comprises a scrapbook compiled by Charles Henry Gubbins and a number of loose items found inserted inside the book. The collection provides insights into the personal life of a humorous and sociable man and, more broadly, the rich cultural and sporting life of Munster in the last decades of the nineteenth century.

This collection comprises a scrapbook compiled by Agnes Mary Gaffney and a number of loose items found inserted inside it. It provides insights into the life and lifestyle of the members of a prominent and politically influential Roman Catholic family and their role not only in the formation of the Irish republic but on the wider arena of Irish-American republicanism and the campaign for women’s rights.