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Submission to An Bord Pleanala oral hearing by Ralph Sheppard on behalf of DUC against permission granted by Donegal County Council for planning applications 2019/80 and 2085/80. Attached to the submission are technical papers and articles relating to the health hazards of uranium exploration; a DUC statement in response to the Nuclear Energy Board’s Interim Report on Radiological Impact of Uranium Prospecting; a provisional outline of a study on uranium mining in Donegal to be undertaken by the Political Ecology Research Group of Oxford on behalf of DUC, and a related fact sheet.

Commission of the European Communities. ‘The Energy Situation in the Community. Prospects and Policy’. Submitted to the Council by the Commission. COM (78) 464 final, 21 September 1978.

Commission of the European Communities. ‘Modification of Proposal for a Council Decision adopting a programme concerning the decommissioning of nuclear power plants (COM (78) 167 final)’. Submitted to the Council by the Commission. COM (78) 740 final, 3 January 1979.

Submission by the National Co-Operative Council of Ireland to the Windscale Inquiry at Whitehaven against the Application by British Nuclear Fuels Limited for Permission to Develop Land at Windscale in Cumbria to Establish a Plant for Reprocessing Irradiated Oxide Nuclear Fuels and Support Services. Dublin: National, Co-Operative Council, 1977.

Draft manuscript of Suantraidhe for three voices.

Draft manuscript of Study of Acciaccatura Playing (canon in octaves).

Black and white head and shoulders studio portraits (87 x 136 mm) of Éamonn de hÓir aged 17 in two different poses. Images by Polyfoto. Originally attached to P2/3/2/4/3 (54).

This sub-series contains formal studio portraits of Kate O'Brien.

Photo postcard (75 x 119 mm) featuring a full-length studio portrait of three of Patrick O’Malley’s four sons in dark suits. The eldest son, Thomas, is seated on a high-backed chair; the third son, Michael Francis (Frank), is standing behind him on the right, resting his right hand on the back of the chair; and the fourth son, Charles Vincent, is standing behind Thomas on the left, his right hand casually in his jacket pocket. Also a digital reproduction (101 x 150 mm) of same.

Black and white cabinet card (107 x 164 mm) bearing a head and shoulders studio portrait of Thomas Clarke taken shortly after his release from prison. Image by A. Mitofsky of Dublin.