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Black and white head and shoulders professional studio portrait (165 x 216 mm) of Gerard Gallivan in a suit and tie, facing the camera and smiling.

Black and white head and shoulders portrait (165 x 216 mm) of Gerard Gallivan in a suit and tie, facing the camera and smiling, appearing older than in P30/4/4/3.

Pencil portrait of Gerard Gallivan by Frances Bunch Moran, signed and dated by the artist. The portrait was used to illustrate the front cover of Selected Plays (for which see P30/1/3/1/4).

This sub-series contains ephemera relating to drama and theatre, family history and rugby accumulated by Gerard Gallivan.

Handwritten list of songs, headed ‘John and Olive’. Also a typed list of songs, headed ‘Demo Tape’.

Remittance slips from RTE for fees relating to The Prudent Paramour, Umbrella Man and The Rusted Dagger.

Certificate of an act of consecration to the Immaculate Heart of Mary issued to Gerard Gallivan.

This series contains correspondence generated and accumulated by Yvonne McMorrough in her capacity as Gerard Gallivan's literary agent.

Letters from Gerard Gallivan, 135 Silchester Park, Glenageary, county Dublin and St Joseph’s Rehabilitation Unit, The Hospice, Harold’s Cross, Dublin to Yvonne McMorrough, dealing mainly with the second collection of his plays by the Guardsman Press, which had to be withdrawn owing to extensive errors; and the decision to publish a third collection of plays, incorporating The Final Mission, The Indomitable Lamb, The Prudent Paramour, The Stepping Stone and Umbrella Man, with related editorial comments. Other topics include his wife’s deteriorating health; his own health problems and hospitalisation in July and August; the progress of My Time in Irish Travel ‘at snails pace’; and the request by the Corcadorca Theatre Company in Cork city to submit three plays for consideration for their Playwright Award 2002.

Letters from Gerard Gallivan, 135 Silchester Park, Glenageary, county Dublin and St Joseph’s Rehabilitation Unit, The Hospice, Harold’s Cross, Dublin to Yvonne McMorrough,) mainly dealing with corrections to be made to My Time in Irish Travel and the third collection of Gallivan’s plays. The letters also contain accounts of Gallivan’s wife, who is very ill, and his own health problems. In a letter written in November, Gallivan informs McMorrough of his decision to move into a nursing home, being too frail to live on his own. Also copy letter to Laurie Lam, Manitoba Theatre Centre, Winnipeg, Manitoba, enclosing a copy of his Four Plays.