Newsletter of IASAIL (International Association for the Study of Anglo-Irish Literature) no. 23 (Spring-Summer 1982). The registration form for the IASAIL triennial conference in Dublin on 12-16 July 1982 on the last page has been cut out.
UntitledLetter from Colin Smythe, Colin Smythe Limited, Publishers, P.O. Box 6, Gerrards Cross, Buckinghamshire SL9 8XA, relating to Reynolds’ proposal of a volume on Edna O’Brien.
UntitledLetter from Alberto de la Puente, Ministerio de Cultura, Torregalindo 10, Madrid relating to new copies of ‘Teatro Irlandés’ which he has sent to Reynolds.
UntitledThis sub-series contains programmes and schedules of academic gatherings and a speech delivered by Lorna Reynolds.
UntitledTypescript speech delivered by Lorna Reynolds to open the jubilee exhibition of Dublin Magazine Archives [in the Library of Trinity College, Dublin on 30 May-30 September 1973]. Inserted between the pages of the speech are unrelated typing instructions for a Mrs Glynn.
UntitledTwo different versions of the programme of Canada and the Celtic Consciousness symposium at the University of Toronto in February 1978. One of the versions is dated 1 November 1977. Also see P74/1/3/6/5/3.
UntitledLists, presumably of MA and PhD graduates and the dates and titles of their dissertations. Also a handwritten page containing a reference to James Liddy as Reynolds’ student.
UntitledFragment of a typescript narrative relating to the widespread interest in Irish Studies.
UntitledThis sub-series contains notes by Lorna Reynolds on the ancient stories and legends of Ireland and notes on Petrarch and Chaucer.
UntitledIntermingled mix of manuscript and typescript narratives relating to the ancient stories of Ireland, including incomplete typescript introductions to the subject and a manuscript version of one of these; typescript version of ‘Oisin of Tir na Nog’; incomplete manuscript versions of ‘The Children of Lir; and typescript poems ‘Lament of Deirdre for the Sons of Usnagh’ and ‘Fionnuala’s Lament over Sidhe Finnagha.’ Intermixed with and partly incorporated into the notes are drafts of poems by Reynolds inspired by these legends. In two folders.
Untitled