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An edition of The Dublin Magazine containing the short story The Woman Without Mercy (pages 360-366). Walsh inscribed the top of the article: ‘To Daisy Gunn, who is merciful, yet has no mercy’.

April 1916 issue of The Worker’s Republic.

Black and white photograph (83 x 132 mm) of Thea Hesterberg and her husband on their wedding day, printed on postcard stock. Originally inserted between the pages of P14/7/1/1.

Black and white snapshot (94 x 66 mm) of the smiling face of a young dark-haired woman [Thea Hesterberg] in a light-coloured coat and with a scarf tied around the back of her head. For other images of Thea Hesterberg, see P14/7/1/1.

Black and white photograph (89 x 139 mm) of Thea Hesterberg with her husband and new-born son, printed on postcard stock. Originally inserted between the pages of P14/7/1/1.

Theatre tickets issued by the Sugawn Theatre.

This sub-series contains drafts of Maurice Walsh's short story Then Came the Captain’s Daughter, published in 1935 in the collection Green Rushes.

Typescript copy of a treatise/ thesis of three of O’Neill’s novels: Open Cut, Duffy Is Dead and Canon Bang Bang by John O’Donoghue. Note by O’Neill on folder ‘The author of this thesis is now Dr. John O’Donoghue of Sussex University (I am told)’. In two folders.

Copies of a poem entitled Things to Come written by Frances Condell under her own name.

Similar format to P7/2/1/7/1 (with ‘3’ on the front) and the final part of that draft of the novel The Hill Is Mine. Remaining pages blank. Small number of annotations and alterations. Pagination on pages with text.