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Issues of The Gaelic American, 25 October 1919 (pp. 1-2 only); 3 June 1922; 15 March, 26 April, 10 May, 17 May, 24 May, 31 May, 7 June, 14 June, 21 June, 28 June, 5 July, 12 July, 19 July, 26 July, 2 August, 9 August, 16 August, 23 August, 30 August, 6 September, 20 September, 27 September, 4 October, 8 November, 15 November, 22 November, 29 November and 6 December 1924; 24 January, 31 January, 14 February, 28 February, 7 March, 14 March, 11 April, 23 May, 10 October, 24 October and 14 November (fragment only) 1925; 20 March, 10 April, 17 April and 8 May 1926; and 6 October 1928.

The material consists of correspondence, speeches, press cuttings, photographs and taped interviews relating to Frances Condell’s political career; typescripts and drafts of poems, articles, short stories and stories for children; genealogical material and photographs relating to the Eades family; and assorted recordings. Collection highlights include letters signed by President John F. Kennedy, Senator Edward Kennedy and Mrs Lyndon B. Johnson, and correspondence with the American poet Beverley Githens Dresbach (1903-1971).

Posters, flyers, programmes, press cuttings, photographs and ephemera collected by Frances Buchanan née O’Hara mainly reflecting her times in Patricia Mulholland’s Irish Ballet.

Copies of a poem entitled The Flower written by Frances Condell under the pseudonym Pat Francis.

Poem entitled The Fire written by Frances Condell under her own name.

Posters, programmes, flyers, press cuttings and photographs relating to the performances and other activities of Rubato Ballet and Fiona Quilligan’s subsequent career as a freelance choreographer.

The Fifty-Eighth Report of the Deputy Keeper of the Public Records and Keeper of the State Papers in Ireland. Dublin: Stationery Office, [n.d.].

This sub-series contains a letter from The Field.

The collection comprises programmes, brochures, posters and other promotional material relating to Fearghus Ó Conchúir’s choreographies and other projects in which he has participated. The items reflect both the diversity of Ó Conchúir’s international career and his intimate connection with his Gaeltacht roots.