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Posters, flyers, programmes and recordings illustrating the productions and other activities of Cork City Ballet.

Posters and other promotional material reflecting dance culture in Cork City and the wide variety of dance performances at Firkin Crane and other venues.

This collection offers insights into Lorna Reynold’s academic career, her work as a poet and translator of poetry and her personal life. Material relating to her academic career is perfunctory, consisting in the main of academic certificates, correspondence of mainly administrative nature and extensive research notes primarily on English literature for teaching, talks and academic papers. Material relating to her literary career includes manuscript and typescript drafts of her poems and short stories, many of which were published in newspapers and other publications, typescript drafts of a play, Swear Not by the Moon, and book reviews.

Undoubtedly the most interesting part of this collection is to be found among the records of Lorna Reynolds’ personal life, which incorporate some 800 items of correspondence with her lover Kate O’Brien. Uniquely, both sides of this correspondence survive from November 1946 to July 1949, after which only Kate O’Brien’s side remains. The letters reveal the intense nature of the relationship between two highly creative, strong-minded and extremely intelligent women and the many clashes and fallings-out their respective personalities inevitably generated. While Kate seemed to thrive on and be invigorated by this intensity, for Lorna, weighted down by her academic duties and a difficult domestic situation, it proved too much and her feelings for Kate receded, but their friendship continued until Kate’s death. Another interesting series of letters are those from Darina Silone née Laracy to Lorna Reynolds, which reveal on the one hand Darina’s marital unhappiness and its consequences, and on the other her devotion to her husband Ignazio Silone and her determination to preserve his legacy.

The Lorna Reynolds collection reveals the remarkable personality, strength of character and outspokenness of its creator, and her unyielding insistence on the rights of women to enjoy the same personal freedom and independence as men. On a broader scale, the collection builds an exceptional picture of the Irish academic, cultural and artistic circles in the twentieth century, circles in which Lorna Reynolds moved and played a seminal role.

This small collection contains a watercolour and architectural drawing of the Old Thomond Bridge in Limerick city.

Posters, flyers, brochures, press cuttings, images and a recording relating to Shakram Dance Company’s dance works and performances.

This collection comprises a scrapbook compiled by Charles Henry Gubbins and a number of loose items found inserted inside the book. The collection provides insights into the personal life of a humorous and sociable man and, more broadly, the rich cultural and sporting life of Munster in the last decades of the nineteenth century.

This collection comprises a scrapbook compiled by Agnes Mary Gaffney and a number of loose items found inserted inside it. It provides insights into the life and lifestyle of the members of a prominent and politically influential Roman Catholic family and their role not only in the formation of the Irish republic but on the wider arena of Irish-American republicanism and the campaign for women’s rights.

The material contains primarily correspondence, petitions and resolutions created and generated by Thomas Spring Rice during his political career.

Pair of late Victorian and early Edwardian scrapbooks in Winona Barrington’s possession, containing manuscript poems and ditties, pen and ink drawings, watercolours and autographs.

The collection comprises primarily correspondence between Frank Aiken, IRA Chief of Staff; Mr McAuliffe Acting Officer Commanding Limerick Brigade IRA; and Maurice Twomey Inspecting Officer. They are almost solely concerned with the reorganisation of the IRA command structure in Limerick, Clare and Kerry owing to the shortage of men and equipment during and following the Civil War.