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Offprint of a piece entitled entitled ‘The Tomb of Michael Collins’ by Denis Devlin, reprinted from the October issue of The Sewanee Review, 1956. Contains a handwritten note on the inside cover, which states ‘to Kate O’Brien with best regards from Denis Devlin Rome, December 1956.’

Loose-leaf offprint of Lysaght’s 'Extracts from a Version of “Diarmaid and Gráinne”', which appeared in vol. 27, no. 1 (Spring/ Summer 1997) of Irish University Review.

Loose-leaf offprint of Lysaght’s essay 'Banville’s Tetralogy: The Limits of Mimesis', which appeared in vol. 21, no. 1 (Spring/ Summer 1991) of Irish University Review.

Brief biographical accounts of Volunteer Sean O’Gorman who was killed during the Civil War.

Manuscript with minor corrections of Oh the Sight Entrancing arranged for solo voice and pianoforte. Cover bears the note ‘112 – Thomas Moore Prize’ and ‘“Festival”’. On the back: ‘Composer’s Competition no. 112. Arrangement of a melody from Moore’s collection for solo voice and pianoforte acc. (Parry)’. Also photocopies of stencils for soprano, alto, tenor and bass for An Tostal concert performance on 6 April 1953. In two folders.

J. W. O’Hagan (Ed.), The Economy of Ireland: Policy and Performance. Dublin: Irish Management Institute, 1975.

Copies of a poem entitled Old Father Time written by Frances Condell under the pseudonym Pat Francis.

November 1919 issue of Old Ireland.

Envelope containing typescript copies of a children’s story entitled Olive the Octopus written by Frances Condell. With minor pencilled corrections. Some of the copies bear the pseudonym *'Jack and Jill'.

Poem entitled On the Edge of Nowhere written by Frances Condell under her own name.