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IE 2135 NDAI N5/4/5 · Item · [December 2009]
Part of The Fearghus Ó Conchúir Papers

Essay in booklet form entitled Counting Capital: The Real Value of Dance in Irish Society, written by dance critic Michael Seaver and commissioned by Dance Ireland. The booklet was the first in a planned series of events leading up to Dance Ireland’s 21st anniversary celebrations in 2013. The essay includes a reference to Fearghus Ó Conchúir, who is also portrayed on the front cover dancing in Dublin’s Docklands.

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The Victoria O'Brien Papers
IE 2135 NDAI N6 · Fonds · 1948-2012

Programmes, flyers, conference proceedings, printed material, and recorded interviews collected by Victoria O’Brien, reflecting her interest in both the historical aspects of and current developments in ballet and contemporary dance. Much of the material in this collection was created and generated by Victoria O’Brien for her doctoral dissertation, published as A History of Irish Ballet from 1927 to 1963 by Peter Lang (Oxford and New York) in 2011.

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IE 2135 NDAI N6/1/4 · Item · February 1952
Part of The Victoria O'Brien Papers

Programme of performances by the [London] Festival Ballet during their 1952 tour. The programme was produced by the Gaiety Theatre, Dublin, where the company performed in February, but contains synopses of the entire tour repertoire, which included The Nutcracker, Le Beau Danube, Petrouchka, Giselle, The Blue Bird, Le Spectre de la Rose, Act II of Swan Lake, Les Sylphides, Capriccioso (Italiana), The Pas de Quatre, Bolero, Prince Igor, Harlequinade, Fiesta Espagnole, Symphonic Impressions, The Black Swan and Don Quixote.

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IE 2135 NDAI N6/4/1 · Item · 2004
Part of The Victoria O'Brien Papers

Volume 2 of Choreographic Encounters, edited by Mary Brady (Cork: Institute for Choreography and Dance, 2004). The book comprises essays by Omar Barghouti, Faustin Linyckula, Carol Brown, Alexander Baervoets, Fearghus Ó Conchúir, Vincent Sekwati Koko Mantsoe, Steve Batts and Thomas McCarthy on the subject of dance and identity.

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