The collection items consist of seals, reproductions of portraits and transcripts of documents relating to the De Laval and Willis families, providing in snapshot detail the fate of a high-ranking Huguenot family forced into exile, their efforts to create a new life in a foreign country, and the lives of their descendants.
De Laval family of PortarlingtonGlass plate negatives depicting images of Edward Donogh O’Brien, 14th Baron Inchiquin of Dromoland and Leamanegh, his children from his second marriage to Ellen Harriet née White, other family members and friends. Also depicted are views of Dromoland Castle and grounds, scenic beauty spots in County Clare and country houses and their occupants in England.
O’Brien, Edward Donough, 14th Baron InchiquinProgrammes, posters, flyers and recordings illustrating the events and activities of International Dance Festival Ireland (renamed Dublin Dance Festival in September 2007) since its inception in 2002.
Dublin Dance FestivalThe collection contains a vast array of documentation relating to the activities of the East Limerick Brigade during the War of Independence, both day-to-day organisation and military engagements involving the brigade. The material documents the logistical problems of running an amateur guerrilla army with extremely limited resources. It also paints a picture of the efforts made to maintain morale during the Truce of 1921. The collection includes a weekly British intelligence report by Major General Strickland (P46/2/1) providing a comprehensive account of the state of Ireland in February 1921. The report was captured by the East Limerick Brigade in 1921 and was slightly damaged by the British forces in an effort to burn it before it fell into enemy hands. Other documents of interest in the collection include the announcement of the Truce in July 1921 signed by Ernie O’Malley (P46/1/3/1/3), and an order issued by O’Malley of the steps to be taken in the event of the collapse of the Treaty talks and the resumption of hostilities (P46/1/2/2/12).
MacCarthy, John Maurice (1896-1976), Irish VolunteerThe collection is based on a single theme, namely, the publishing background to James Joyce’s Dubliners. The book did, indeed, have a very strange history. Its journey began in 1904, when Joyce submitted a collection of short stories to the publisher, Grant Richards. It was not until February 1906 that Richards accepted them. Unfortunately, Richards had problems with his printer who refused to set up the print for the story Two Gallants, as he objected to certain passages therein. Richards and Joyce had many debates and arguments about the deletion and modification of this and other passages in the book. Finally in 1907, Richards backed away from publishing the work. In 1909, George Roberts of the Dublin firm Maunsel & Co. accepted Dubliners and signed a publication contract in August of that year. However, Roberts had second thoughts about its publication soon after and the entire first print run of the book was burned before it was launched. Dubliners was finally published in 1914 by the original publisher, Grant Richards, a full ten years after it was written. McGrath seems to have had a great interest in discovering what influenced two successive publishers to reject the manuscript. Other items in the collection include an original Seán O’Casey letter to McGrath in which he enclosed a large signed black and white photograph of himself (P8/4). There are also press cuttings which comprise of an obituary of Oliver St. John Gogarty (P8/20) and a review of a book about Joyce (P8/21).
McGrath, Edward Patrick (1929-1994), journalist and consultantA bound manuscript compendium of statutes, orders and decrees relating to Emmanuel College, Cambridge. Covering the period 1585 to 1661, the contents reflect the physical and curricular expansion of the College during its first 75 years of existence.
The first half (folios 1-43) contains the Latin text of the College’s first statutes as provided by its founder Sir Walter Mildmay. The second part of the manuscript (folios 44-81) comprises orders and decrees primarily in English concerning such matters as the borrowing and buying of books from the college library, stipends, rent rates for chambers and rules of the use of the college tennis court. In 1630, one of the decrees ordered that no student ‘shall size bread and beer anywhere but in the Butteries, nor have Dyett provided for them constantly out of the College’ (p. 63). The onset of a plague epidemic eight years later also features prominently. Scholars and fellows of the College were permitted to ‘have free leave to betake themselves thither, where they shall be able best to provide for their own safety, and that notwithstanding the same, they shall receive in the time of their absence the allowance from the College…’ (p. 68) In 1651, misbehaving students were threatened with fines and imprisonment when it was discovered that some of them ‘not regarding their own birth, degree, and quality have made divers contracts of marriage with women of mean estate, and of no good fame in the town to their great disparagement, the discontent of their Parents and friends, and the dishonour of the government of that our University’. Students were strictly forbidden to ‘resort to such houses and places as are mentioned in the said Statute to eat or drink or play or take tobacco, to the misspending their time and to the corrupting of others by their ill example, and to the scandalizing the government of our said University.’ (pp. 71-72)
The volume is most likely from the library of William Shaw (1688-1739) of St John’s College, Cambridge, Rector of Akenham and antiquary. Among the Clarendon Papers held at the Bodleian Library are two further manuscripts from the collection of William Shaw, namely an eighteenth-century commonplace book (MS. Clar. dep. c. 413) and an eighteenth-century volume of ‘Extracts of Records &c. relating to St John’s College in the University of Cambridge’ (MS. Clar. dep. c. 414). The Emmanuel College volume has an eighteenth-century numbering on the inside front cover (No. 47). The two manuscript volumes in the Bodleian Library bear identical numbering, respectively nos. 100 and 46, placing the latter just next to our volume, also relating to a Cambridge college.
The inside cover of the volume contains the bookplate of Charlotte Villiers, Countess of Clarendon (1721-1790), formerly Lady Charlotte Capell, heiress to the wealthiest branch of the Hyde family and wife of Thomas Villiers, Baron Hyde and later 1st Earl of Clarendon (both titles acquired through his marriage). The family seat, The Grove, the name of which appears on the bookplate, was located near Watford, in Hertfordshire. It was acquired in 1753 by Thomas Villiers and turned into one of the most fashionable country homes in England.
Emmanuel College, CambridgePreliminary and draft manuscripts with edits, finisehd manuscripts and stencils (copies for choir members) of de Regge’s musical compositions.
De Regge, Ernest (1901-1958), musician, organist and composerThe collection comprises programmes, brochures, posters and other promotional material relating to Fearghus Ó Conchúir’s choreographies and other projects in which he has participated. The items reflect both the diversity of Ó Conchúir’s international career and his intimate connection with his Gaeltacht roots.
Ó Conchúir, Fearghus (b. 1969), dancer and choreographerPosters, programmes, flyers, press cuttings and photographs relating to the performances and other activities of Rubato Ballet and Fiona Quilligan’s subsequent career as a freelance choreographer.
Quilligan, Fiona (b. 1958), dancer and choreographerPosters, flyers, programmes, press cuttings, photographs and ephemera collected by Frances Buchanan née O’Hara mainly reflecting her times in Patricia Mulholland’s Irish Ballet.
Buchanan, Frances née O'Hara (1949-2020), Irish traditional dancer