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Video tape containing a recording of a cultural programme, Umetnost Igre, from TV Slovenia. The programme focuses on European culture and includes coverage of a Slovenian multi-media production of Midsummer Night’s Dream at the Abbey Theatre and of International Dance Festival Ireland 2004. Duration 00:26:00.

Billboard poster promoting the first annual Dublin Dance Festival on 17 April-3 May 2008, listing the festival performers and their performance dates.

Billboard poster promoting a Bumper to Bumper headphone disco at Grand Canal Square on 19 April 2008, a joint event of Dublin Dance Festival and Dublin Docklands Development Authority.

Flyer promoting a performance of This Two by Girl Jonah at Projects Arts Centre on 2 May 2008.

Show programmes of performances of Hundaheppni (A Stroke of Luck) & Crazy in Love with MR. PERFECT by Reykjavik Dance [at SS Michael and John, Dublin on 25-27 April 2008]. With related inserts.

Show programme of performances of Does She Take Sugar? by Jean Butler at Project Arts Centre on 25-28 April 2008.

Show programme of performances of Empty Moves (Parts I & II) by Ballet Preljocaj [at the O’Reilly Theatre on 28-29 April 2008].

Carte de visite (66 x 106 mm) featuring a head and shoulders studio portrait of Mary Aloysius (Louie) O’Malley wearing a hat decorated with feathers; the image contains the dedication ‘Best love to all from Louie’ on the reverse. Image by Anselmo Mattos, R. das Chagas 9, Lisboa. Also a digital reproduction (101 x 150 mm) of same.

Photo postcard (75 x 119 mm) featuring a full-length studio portrait of three of Patrick O’Malley’s four sons in dark suits. The eldest son, Thomas, is seated on a high-backed chair; the third son, Michael Francis (Frank), is standing behind him on the right, resting his right hand on the back of the chair; and the fourth son, Charles Vincent, is standing behind Thomas on the left, his right hand casually in his jacket pocket. Also a digital reproduction (101 x 150 mm) of same.

Loose pages from a notebook containing an untitled handwritten draft of the short story The Prudent Man which begins: ‘Kemp Clancy had been busy all that forenoon and he was now ten minutes late for lunch’. Alterations. Pagination.