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Black and white photograph by Kevin McFeely printed onto an A4 card of Fiona Quilligan performing as as Artemis in Bull Dance.

Black and white photograph by Tom Lawlor, printed onto an A4 card, of Fiona Quilligan in a scene from Images of Nijinsky, inspired by Nijinsky’s diary entry ‘When I was a boy my father wanted to teach me to swim, he threw me into the water, I fell and sank to the bottom.’

Black and white photograph by Amelia Stein printed onto an A4 card depicting Fiona Quilligan as an abandoned doll in A Close Shave.

Black and white photograph printed onto an A4 card of Fiona Quilligan and Zelda Francesca performing in Euripides’ Helen.

Colour photograph by Marcelo Biglia printed onto an A4 card of Fiona Quilligan and Olwen Grindley performing ‘Double Barre Duet’ in Paper Pylons.

Colour photograph by Marcelo Biglia printed onto an A4 card of Fiona Quilligan and Olwen Grindley performing ‘Riveted Together’ in Paper Pylons.

Black and white photograph by Dan Coffee printed onto an A4 card of Fiona Quilligan and Daire O’Dunlaing rehearsing Live Sax.

Black and white photograph (135 x 165 mm with mount) of Emmet Clarke in doctoral graduation robes standing beside his mother Kathleen Clarke née Daly. Copyright of Dublin Evening Mail. With a duplicate.

Oval-shaped photograph (130 x 95 mm) of Elizabeth Walsh (née Buckley), Maurice’s mother.

Black and white photograph (208 x 153 mm) of [L-R] Edward Dore, Eithne Clarkin and Seamus Brennan in discussion after attending 1916 Easter Week commemorative mass in the church of the Holy Trinity at Dublin Castle. Copyright of Irish Press.