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Draft manuscript of four exercises in harmony submitted to Paul Gilson.

Glass plate negative (215 x 165 mm) depicting four young females outdoors in the shade of a large tree, one sitting on grass with a pen and notepad in her hands, two (Moira and Maud O’Brien?) seated on a timber bench with books, and one seated in a wicker chair darning a sock.

Glass plate negative (215 x 165 mm) depicting four men posing outside the thatched rustic summer house on the grounds of Dromoland Castle. The man on the far left is formally clad in a three-piece suit. The second man is seated on a chair in plus fours, tweed jacket and flat cap resting a shotgun between his legs and with a gun dog by his side. The third man is standing and similarly attired, his hands wrapped around the barrel of a shotgun with its butt resting on the ground. The fourth man, on the far right, is younger than the other three and roughly dressed, possibly a beater or a picker-up, with a white ferret dangling from his right hand. On the foreground are three large dead rabbits.

Yeats, William Butler. Four Plays for Dancers. London: MacMillan and Co., Limited, 1921. Lacking dust jacket. Signed on the inside by Sara Payne, and by the original owner of the book, Abbey Theatre actor Joseph O’Neill. The pages contain handwritten annotations for possible movement and sound direction, and the players’ cues for the play At the Hawks Well.

Sepia-toned photograph (86 x 142 mm) of four priests outside the Irish College in Rome.

Fragment of an unidentified document.

Fragment of a black and white postcard depicting the Brandenburg Gate in Berlin and a placard in front of it announcing ‘You are now leaving the British Sector’. The address part of the card is missing but the message part begins with ‘My dear Mum’ [her mother-in-law] and ends with ‘your daughter Hella’.

Fragment of a bound softback ledger comprising the alphabetized index section and the first 15 pages of the ledger. The first page contains an index to estate expenditure, providing the expenditure heading and the page on which it can be found. However, the pages to which the index relates are all missing. The back of the book contains a record of Viscount Lismore’s cash accounts from 7 December 1883 to 30 September 1891 and cash accounts of the Clogheen branch of the Provincial Bank from 10 December 1883 to 28 July 1884.

Fragment of a copy of a map survey originally carried out in May 1795 of the lands of Caher Abbey, barony of Iffa and Offa, the property of Joshua Fennel on a scale of 20 perches to an inch.

Fragment of a diary sporadically kept by the Reverend Samuel Monsell (1743-1818), curate of Mallow from 1766 to 1780; Precentor of Ardfert from 1791 to 1811; and Vicar of Clondulane from 1805 until his death in 1818. Monsell was the younger son of the Reverend Daniel Monsell from his second marriage to Deborah née Tuthill and grandson of the shipping merchant William Monsell of Tervoe, county Limerick (for whose letter book see P29/1/1). He had a younger sister, Anne, and an older half-brother, Captain William Monsell, from his father's first marriage to a cousin, Mary née Monsell. At the time of diary, Samuel's uncle William Monsell and his second wife Dymphna née Pery resided at Tervoe.

The journal covers Monsell’s time as a student of theology at Trinity College, Dublin, where he enrolled in 1757, and his curacy in Mallow from 1766 until 1777. The diary is brooding and introspective, providing an intimate view of a tormented man who repeatedly fails in his attempts to lead a virtuous life and who seeks God’s forgiveness and the strength and discipline to mend his ways, only to fall time and again at the first hurdle. The diary is simultaneously an account of Monsell’s daily activities as a student and curate and a confessional in which he lays bare his sins. Throughout the course of the diary he is in perpetual debt and struggling to avoid his creditors. As a student, he steals books and food from his fellow students and makes futile attempts to ingratiate himself with his uncle and aunt at Tervoe in the unrealistic hope of succeeding to the property. As a curate, he keeps a mistress and has intimate encounters with other females, including married women. He is convinced that his parishioners entertain a low opinion of him and is haunted by the fear of being found out and by eternal damnation for his sins. He berates himself for his own behaviour yet appears incapable of change.

Apart from being a record of Monsell’s inner life, the diary contains a number of interesting details. These include a list of his clothes, a detailed description of his residence in Mallow, and frequent references to the compilation of a catalogue of books in his possession, some of which he inherited from his father. His private library appears to have been substantial, and some indication of its size can be found in his will (for which see P29/1/9).

Monsell appears to have derived the idea of journaling from Pythagoras’s advice to review one’s day at bedtime and in the morning and to have favoured the format of a commonplace book devised by the English physician and philosopher John Locke (1632-1704). References to a large commonplace book Monsell was compiling are scattered throughout the diary, and the uneven pagination suggests that it originally formed part of such or some other much more substantial document. The first part, paginated 34-58, comprises a coherent narrative, to which have been added fragments of six other pages. The first four of these are numbered 620, 669, 675 and 681, respectively, while the last two fragments bear no pagination.