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Head and shoulders studio portrait (103 x 149 mm) of Elsie O’Malley in a light-coloured blouse, her hear styled in a coiffed bob, with a loose string of pearls around her neck. Also a digital reproduction (126 x 177 mm) of same.

Mounted black and white studio portrait (177 x 260 mm with mount) of Edward O’Toole, his wife Mary Ellen (Aileen) née Daly and their children John and Edward (Eamonn).

Head and shoulders studio portrait in a cardboard sleeve (180 x 232 mm with sleeve) of Denis O’Malley in a suit and tie, his face and gaze turned away from the camera. Originally loosely inserted inside P83/3/1/1.

Photo postcard (135 x 85 mm) depicting a half-length studio portrait of a Charles Dunman with his children Patience (Pat) in a white-collared dress and Charles (Chuck) in a sailor suit.

Black and white studio portrait (70 x 50 mm) of Catherine O’Brien seated with two of her children, Kate and her brother, Michael. Kate stands on a chair beside her mother, and Michael sits on his mother’s lap. A note written on the back in ink by Kate O’Brien reads ‘Mother, Michael & K.O.B. 1902.’ The image is cropped.

Black and white three-quarter length studio portrait (135 x 85 mm) of Kate O'Brien's mother Catherine O’Brien née Thornhill dressed in black with her left arm leaning on the back of a carved wooden chair as she looks away from the camera.

Photo postcard depicting a full-length studio portrait (82 x 128 mm) of Catherine Gertrude O’Malley, second child of Denis O’Malley, in a long black skirt, long-sleeved white collared blouse and a bow tie standing behind a small table, with a high-backed ornately carved chair beside her. The knuckles of her right hand are resting on a folded newspaper placed on the table. The words ‘Gertie O’Malley’ are written at the bottom of the picture.

Full-length studio portrait (102 x 141 mm) of a nun identified on the reverse as Bridget O’Malley, or Sister M. Gertrude of the Holy Faith, Glasnevin, fifth child of Michael and Kate O’Malley.