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Volume 2 of Choreographic Encounters, edited by Mary Brady (Cork: Institute for Choreography and Dance, 2004). The book comprises essays by Omar Barghouti, Faustin Linyckula, Carol Brown, Alexander Baervoets, Fearghus Ó Conchúir, Vincent Sekwati Koko Mantsoe, Steve Batts and Thomas McCarthy on the subject of dance and identity.

90-minute cassette tape containing on Side A an interview by Victoria O’Brien with Catherine Gyll in Naas, county Kildare relating to Gyll’s early years as Cepta Cullen’s pupil and how this experience influenced her appreciation of dance in later life. Duration 00:07:00 minutes. Side B is blank.

Sony Dictaphone, on which Victoria O'Brien's interviews were recorded.

Dance-related ephemera collected by Victoria O’Brien.

Company profiles of Rubato Ballet and merchandise sold by the dance company.

Photocopy of a page from Sculptors’ Society of Ireland Newsletter of September/ October 1998. The page contains an article, Rubato Ballet Sculpture & Dance by Jason Oakley, which outlines the history and productions of the dance company and draws parallels between the formal languages of sculpture and dance.

White medium-size T-shirt bearing a blue logo [designed by sculptor Janet Mularney] and the words 'Rubato Ballet'.

Black and white photograph printed onto an A4 card of Fiona Quilligan and Zelda Francesca performing in Euripides’ Helen.

Programmes, press cuttings, photographs, letters, and certificates collected by Cliodna O’Riordan. The items reflect the early years of the Irish National Ballet School and O’Riordan’s subsequent interest in ballet and other forms of dance.

Programme of a recital of ballet by the [Irish] National Ballet School performed at the Dagg Hall, Royal Irish Academy of Music, Dublin on 10-15 November 1958. The programme is signed, with a short dedication to O’Riordan, by the guest dancer Jelko Yurésha. For related press reviews, see N2/2/4.