Affichage de 89 résultats

This collection contains a client ledger and separate index from Sir Matthew Barrington's legal firm in Limerick city, providing names of clients and details of the legal affairs in which they were involved. The ledger, originally part of a multiple set of volumes, is of considerable historical interest in view of the distinguished client list, which includes both nobility and prominent merchants, and the level of detail provided of their legal affairs.

This collection contains correspondence, accounts and other documents concerning the leasing of Mungret Agricultural School by its trustees to the Commissioners of National Education in 1853; the subsequent closure of the school and surrender of the lease back to the trustees in 1878; the parliamentary bill required to allow the trust fund to be redirected for broader educational purposes; and the subsequent lease of the school to the Reverend Joseph Bourke 1880 and to Father Ronan in 1882. The material provides an interesting record of the legal and administrative complications affecting the operation of the school and its gradual shift from an agricultural school to a Jesuit apostolic school and lay secondary school.

Calendar of 66 persons awaiting trial in Carlow town compiled by Alexander John Humfrey, Clerk of the Peace. The calendar lists the name and age of each defendant, the nature of their crime, date of committal to jail, name of the person by whom committed and whether bailed or in custody. The persons listed comprise 50 men and 16 women aged between 13 and 63. Their crimes include theft (mostly of food items), possession of stolen goods, assault, fighting and making an affray.

This small collection comprises Republican newspapers and other printed matter of Republican interest collected by Mary O’Donnell. Also included in the collection is a bound manuscript of Michael Hogan’s Supplementary Poems to the Lays and Legends of Thomond (P66/3/1).

This small collection contains a valuation book of the estate of Captain Charles James Coote in counties Limerick and Cork and a box of associated maps.

This collection documents Gerard Gallivan’s career as a playwright, comprising manuscript and typescript drafts of his plays and other works; correspondence with theatre producers, actors, publishers and writers’ societies; posters and programmes relating to his plays; diaries; photographs; and press cuttings.

Photographs, certificates, contracts and correspondence illustrating Barbara Clarke's development from a child dance enthusiast to an accomplished amateur dancer and her contribution to the development of dance as a popular art form in Ireland in the mid-twentieth century.

Posters, flyers, programmes, press cuttings, photographs and ephemera collected by Frances Buchanan née O’Hara mainly reflecting her times in Patricia Mulholland’s Irish Ballet.

This collection is a comprehensive record of the life and work of Maurice Walsh, a figure who has a distinctive place in Irish literary history. At its core are multiple working drafts of his fourteen novels, five short story collections and other works which provide a window into Walsh’s creative process and the evolution of his narratives. They also highlight the breadth and versatility of Walsh’s literary output which extended from novels and short stories to plays, poetry and journalism. Of particular interest are drafts of his perhaps best-known novel, Blackcock’s Feather (P7/2/1/3/1-7), his short story ‘The Quiet Man’ (P7/2/2/1/3/1-5), later made into an Oscar-winning film directed by John Wayne, and the collection of short stories featuring the immortal character of Thomasheen James (P7/2/2/2/1-11).

The Maurice Walsh Papers also feature the author’s extensive correspondence with literary agents, publishers, broadcasting companies and film producers which provides interesting insights into the life of a professional writer. It reveals among other things the controversy concerning the sale of the film rights which proceeded the production of Trouble into Glen, Walsh’s only novel successfully adapted for film (see P7/1/3/1/2 and P7/1/3/2/1). The dispute, which involved Walsh’s American literary agents, Brandt and Brandt of New York, and his principal publishers on this side of the Atlantic, Chambers, resulted in his refusal to assist in the making of the film and soured his view of the movie business for life. Another interesting set of correspondence dates from 1940, when Walsh made a significant foray into politics by collaborating with Seán O’Faoláin in the writing of an article entitled ‘Ireland in a Warring Europe’. Published in The Saturday Evening Post, the article was a defence of Irish neutrality and generated much reaction. The surviving letters from Joseph Connolly, the censor, indicate the extent to which he tried to avoid undue alterations to the text and the keenness of the authorities that the piece should appear in print (P7/1/2/4/1-4).

The volume of correspondence includes much evidence of Walsh’s popularity. The royalty statements from his publishers and agents tangibly prove his success as a writer, and the letters from admirers (P7/1/2/3/3/1-7) give his audience a human face. One of the more unusual expressions of his fame was the establishment of ‘The Ancient and Honorable Society of Walshians’ in Montana in 1933 (P7/1/2/3/2/1-5).

With the exception of some official documents and a small number of photographs, the collection contains little in relation to Maurice Walsh’s personal life. The best insight into this aspect can be found in a short autobiographical note published in an unidentified work (see P7/2/7/5/5), which also shows Walsh’s gentle but brimming humour. Described by his friends as ‘quiet, easy-going, lazy-seeming’, Walsh’s reticence made him, perhaps, the true embodiment of ‘The Quiet Man’.

The collection is based on a single theme, namely, the publishing background to James Joyce’s Dubliners. The book did, indeed, have a very strange history. Its journey began in 1904, when Joyce submitted a collection of short stories to the publisher, Grant Richards. It was not until February 1906 that Richards accepted them. Unfortunately, Richards had problems with his printer who refused to set up the print for the story Two Gallants, as he objected to certain passages therein. Richards and Joyce had many debates and arguments about the deletion and modification of this and other passages in the book. Finally in 1907, Richards backed away from publishing the work. In 1909, George Roberts of the Dublin firm Maunsel & Co. accepted Dubliners and signed a publication contract in August of that year. However, Roberts had second thoughts about its publication soon after and the entire first print run of the book was burned before it was launched. Dubliners was finally published in 1914 by the original publisher, Grant Richards, a full ten years after it was written. McGrath seems to have had a great interest in discovering what influenced two successive publishers to reject the manuscript. Other items in the collection include an original Seán O’Casey letter to McGrath in which he enclosed a large signed black and white photograph of himself (P8/4). There are also press cuttings which comprise of an obituary of Oliver St. John Gogarty (P8/20) and a review of a book about Joyce (P8/21).