Mostrando 43 resultados

Descripción archivística
The Victoria O'Brien Papers
IE 2135 NDAI N6 · Fondo · 1948-2012

Programmes, flyers, conference proceedings, printed material, and recorded interviews collected by Victoria O’Brien, reflecting her interest in both the historical aspects of and current developments in ballet and contemporary dance. Much of the material in this collection was created and generated by Victoria O’Brien for her doctoral dissertation, published as A History of Irish Ballet from 1927 to 1963 by Peter Lang (Oxford and New York) in 2011.

Sin título
IE 2135 NDAI N6/1/4 · Unidad documental simple · February 1952
Parte de The Victoria O'Brien Papers

Programme of performances by the [London] Festival Ballet during their 1952 tour. The programme was produced by the Gaiety Theatre, Dublin, where the company performed in February, but contains synopses of the entire tour repertoire, which included The Nutcracker, Le Beau Danube, Petrouchka, Giselle, The Blue Bird, Le Spectre de la Rose, Act II of Swan Lake, Les Sylphides, Capriccioso (Italiana), The Pas de Quatre, Bolero, Prince Igor, Harlequinade, Fiesta Espagnole, Symphonic Impressions, The Black Swan and Don Quixote.

Sin título
Books
IE 2135 NDAI N6/4 · Serie · 2004
Parte de The Victoria O'Brien Papers

Dance-related book collected by Victoria O’Brien.

Sin título
Choreographic Encounters, vol. 2
IE 2135 NDAI N6/4/1 · Unidad documental simple · 2004
Parte de The Victoria O'Brien Papers

Volume 2 of Choreographic Encounters, edited by Mary Brady (Cork: Institute for Choreography and Dance, 2004). The book comprises essays by Omar Barghouti, Faustin Linyckula, Carol Brown, Alexander Baervoets, Fearghus Ó Conchúir, Vincent Sekwati Koko Mantsoe, Steve Batts and Thomas McCarthy on the subject of dance and identity.

Sin título
Interview with Catherine Gyll
IE 2135 NDAI N6/5/7 · Unidad documental simple · 14 February 2012
Parte de The Victoria O'Brien Papers

90-minute cassette tape containing on Side A an interview by Victoria O’Brien with Catherine Gyll in Naas, county Kildare relating to Gyll’s early years as Cepta Cullen’s pupil and how this experience influenced her appreciation of dance in later life. Duration 00:07:00 minutes. Side B is blank.

Sin título