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The history of the O’Mara family of Strand house and O’Mara’s Bacon Company go hand in hand. The factory was founded in 1839 by James O’Meara (1817-1899), who originated from the village of Toomevaara in county Tipperary. Having worked for some years in the woollen mills in Clonmel, he got a job as a clerk with Matterson’s Bacon Factory in Limerick and in 1839 founded O’Mara’s Bacon Company in his house on Mungret Street. It is said that he dropped the ‘e’ from his surname as he felt that O’Meara was too long for commercial purposes. James initially sold for Matterson’s but soon began to cure his own bacon in the basement of his house. As his business grew, he acquired dedicated premises for the purpose near the top of Roche’s Street.

In 1841, James O’Mara married Honora Fowley (d. 1878), who worked in the bacon business alongside her husband. A devoted nationalist, James was one of the early supporters of Isaac Butt’s Home Rule movement. He was High Sheriff of Limerick City in 1887, and acted as Town Councillor on Limerick Corporation at least from 1888 to 1898.

James and Honora O’Mara had 13 children, of whom the two eldest surviving sons, Stephen O’Mara (1844-1926) and John (Jack) O’Mara (1856-1919) were instrumental in building up the O’Mara’s Bacon Factory into a great success. The youngest son, Joseph (Joe) O’Mara (1864-1927) became a celebrated opera singer.

When James O’Mara retired from business his son John (Jack) O’Mara became manager of the O’Mara Bacon Factory. In the late 1880s, Jack was invited to Russia by Tsar Alexander III to provide instruction on bacon curing. He stayed in St Petersburg to supervise the construction of a bacon factory. In 1891, his father bought the rights of the Russian Bacon Company and the family imported bacon from Russia into London until 1903. James (Jim) O’Mara (1858-1893) acted as agent for O’Mara’s in London until his untimely death from heart disease. His nephew James O’Mara (1873-1948), son of Stephen O’Mara Senior (1844-1926), took over the agency and held it until 1914.

When John (Jack) O’Mara died in 1919, his younger brother Stephen O’Mara (1844-1926) became Managing Director of O’Mara Limited and remained in that capacity until 1923. Having entered into the family business at the age of fifteen, his great business acumen established O’Mara’s Bacon Factory as one of the most prominent commercial enterprises in Limerick city. He also purchased a bacon factory in Palmerston, Ontario, Canada, which was managed by his son Joseph (Joe) O’Mara (1878-1950) until the business was wound up in the 1940s.

Like his father, Stephen O’Mara was a strong supporter of Isaac Butt’s Home Rule movement and a member of the committee which secured Butt’s election for Limerick city in 1871. He later developed a close association with Charles Stewart Parnell and was elected Member of Parliament for Upper Ossory in Kilkenny South for the Irish Parliamentary Party in February 1886. When the Irish National League split from Irish Parliamentary Party in December 1890, O’Mara took the Parnellite side. He continued to act as trustee of the Party funds until 1908, when he resigned from his trusteeship. Towards the end of his life, his moderate political views became more radicalised under the influence of his sons James (1873-1948) and Stephen Junior (1884-1959). He had agreed with his son James’s decision to resign from the Irish Parliamentary Party in 1907 in order to join Sinn Fein, and personally supported the party in the 1918 General Election. Both Stephen and his son James were strong supporters of the 1921 Anglo-Irish Treaty but were on friendly terms with Eamon de Valera who, it is said, spent the night at the O’Mara family home, Strand House, as the Treaty was being signed in London. In the 1925 election, Stephen O’Mara was elected as Senator to the Free State Seanad.

Stephen O’Mara was also a prominent figure in local politics. He became a Town Councillor on Limerick Corporation in the 1880s and was elected Mayor of Limerick in 1885. He was the first Mayor of Limerick to be elected on a Nationalist ticket. He also served as High Sheriff of Limerick city in 1888, 1913 and 1914.

Stephen O’Mara married Ellen Pigott in 1867, and the couple had 12 children of whom the eldest three died tragically of diphtheria in 1872. From c. 1909 onwards, the family lived at Strand House. Their third son, Stephen O’Mara Junior, was born on 5 January 1884. He entered the family business in 1903 when he travelled to Canada to work in the bacon factory established by the O’Mara family in Ottawa. In 1923, he became Managing Director of O’Mara Limited and created numerous employment opportunities by establishing bacon factories in Claremorris, County Mayo, and Letterkenny, County Donegal, in the 1930s. The three bacon companies were amalgamated in 1938 and formed into the Bacon Company of Ireland. Stephen O’Mara Junior remained the company’s chairman until his death in 1959. In 1987, the Bacon Company of Ireland merged with Hanley of Rooskey and Benesford UK (Castlebar) with assistance from the Industrial Development Agency Ireland (IDA) to form Irish Country Bacon. Shortly afterwards the old O’Mara factory in Limerick was closed down. It was subsequently demolished to make way for a multi-storey car park.

Throughout his life, Stephen O’Mara Junior played a prominent role in both local and national affairs. Unlike his father and elder brother James, Stephen was opposed to the Anglo-Irish Treaty but in a conciliatory manner. He was prominently identified with the Sinn Fein movement after the Easter Rising. He was one of Eamon de Valera’s strongest supporters and a member of his Fianna Fail Party since its formation in 1926.

When George Clancy, Lord Mayor of Limerick, and his predecessor Michael O’Callaghan were murdered by the British military forces in March 1921, Stephen decided to stand for election and became Mayor. He was re-elected in 1922 and in 1923 but resigned before the expiration of his term of office.

In 1921, Stephen O’Mara Junior was selected to go to America as Special Envoy appointed by Dáil Éireann to the United States to oversee one of the country’s biggest fundraising drives to finance the first Dáil and was made Trustee of the funds. The funds-drive was terminated following the signing of the Anglo-Irish Treaty. Considering himself as the exchequer to the Irish Free State, O’Mara refused to hand over the collected funds to the pro-Treaty administration which resulted in his imprisonment in 1922-1923. He had also been imprisoned for seven days in 1921 for refusing to pay a fine of £10 for non-compliance with a military summons.

The bulk of the money collected during the Bond Drive was left in various banks in New York and remained untouched for a number of years. In 1927, following legal action between the Irish Government and Eamon de Valera, a court in New York ordered that money outstanding to bond holders must be paid back. Having anticipated such a ruling, de Valera’s legal team invited bond holders to sign over their bonds to de Valera, for which they were paid 58 cents to the dollar. The monies so accumulated were used to launch the national daily newspaper The Irish Press. Stephen O’Mara served on the paper’s Board of Directors until his resignation in 1935.

In 1932, Stephen O’Mara was once again sent to America on a mission involving the various consular and diplomatic offices maintained in the country by the Irish Government. Two years later, he was appointed a member of the Commission on Vocational Organisation, on which he served until 1943. In 1959, he was created a member of the Council of State following de Valera’s inauguration as President of Ireland. Stephen O’Mara died less than two months after his appointment, on 11 November 1959.

Stephen O’Mara Junior married in 1918 Anne O’Brien, third daughter of Thomas O’Brien of Boru House, and the couple had an adopted son, Peter O’Mara. Anne’s youngest sister, Kate O’Brien, became one of the most prominent novelists in 20th-century Ireland and a voice of the respectable Irish Roman Catholic middle class.

The Moynehall estate in county Cavan was granted by the Crown in 1629 jointly to Abigail Moigne née Dodd, widow of Thomas Moigne, Dean of St Patrick’s Cathedral; her son Captain Roger Moigne; and her brother-in-law John Greenham. Three years later, Abigail and John released their right to and interest in the lands to Roger. When Roger was slain in the Siege of Drogheda in 1641, his three daughters became jointly entitled to the Moynehall estate. The eldest, Abigail, married Major Nicholas Moore and in 1698 settled her part of the Moynehall estate on her descendants. Samuel Moore the elder (d. 1848) was her great-great-great-grandson. He married Frances Nesbitt of the Lismore family in 1809. Their son Colonel Samuel Moore lived at Rockville and married his first cousin Louisa Nesbitt in 1849. They had an only child, Frances, who in 1883 married Captain Ernest Edward Cator Nevile of Yorkshire.

In 1794, the Moores leased Moynehall to Samuel Adams, whose descendants remained in possession until 1857, when the property was advertised for sale in the Encumbered Estates Court. In 1876, Moynehall belonged to John Fay. Today, it is home to the Backyard Arts and Cultural Centre.

Firkin Crane, one of Cork City’s landmark buildings, was designed in 1855 by Sir John Benson to meet the needs of the city’s thriving butter market. Following the closure of this trade in 1924, the building acted as a margarine factory. It was later acquired by Joan Denise Moriarty with the financial assistance of the Arts Council to have it refurbished as a home for her professional dance company. During the refurbishment, the building was gutted by fire. It was subsequently restored with support from Cork City Council, the Irish Government, the European Union, Irish businesses, multi-national corporations and the Irish American Fund, and re-opened in 1992 as a centre dedicated to dance, living theatre, concerts, opera, art exhibitions, poetry readings and a variety of sound, visual and multimedia arts. Until 2006, Firkin Crane was also the location of the Institute for Choreography and Dance (ICD), directed by Mary Brady, which aimed to stimulate choreographic practice and dance research as a means of dance development. It provided space for interchange between choreographers to examine issues, work methodologies and goals particular to each, in a practice-centred environment. Today, Firkin Crane provides a supportive environment for professional artists in the form of a professional residency programme, Blank Canvas.

Maxwell, Weldon & Co. was a firm of solicitors operating from premises at 15 Eden Quay, Dublin in the early twentieth century.

Chrysalis Dance is Ireland’s only neoclassical dance company, combining in its choreographies sophisticated classical ballet with sleekly modern elements of contemporary dance. The company emerged from a workshop held in June 2003 under the direction of Judith Sibley at Shawbrook School of Dance, County Longford to commence the research and development of an original neoclassical work. The company premiered its first work, Strings, in the Black Box, Galway in April 2004. Since then, Chrysalis Dance has toured Ireland with several well-received choreographies and has enjoyed sell-out runs at national dance festivals. The company has been resting since losing its Arts Council funding in 2013.

Dance Ireland is the trading name of the Association of Professional Dancers in Ireland Ltd (APDI). It was founded in 1989 as the representative body for professional dance in Ireland and was initially administered by Dance Council of Ireland. It was incorporated as a non-profit company limited by guarantee in 1992, and re-branded as Dance Ireland in 2006. The organisation aims to provide support and practical resources for dancers and choreographers and to enhance public awareness of and involvement in dance at all levels. Its programme includes international guest residencies, choreographic programmes, master classes and cross arts sessions. It also manages DanceHouse, Ireland’s only custom-built dance studio venue, opened in Dublin in December 2006 with the support of the Arts Council and Dublin City Council.