In 1957, The Shannon Airport Development Authority (SADA) was set up with the aim to make Shannon Airport more appealing through the promotion of freight traffic and the development of nearby tourist facilities.
In 1959, SADA became the Shannon Free Airport Development Company (SFADCo). SFADCo would receive funding from the government and have the additional functions of establishing an industrial estate and housing for workers.
In 2014, Shannon Development was amalgamated into Shannon Group (later The Shannon Airport Group), a conglomerate of aviation, property, and tourism businesses created to drive the economy of the west of Ireland.
The department store of Cannock and Company Limited was established in 1850 by George Cannock and John Arnott and went into liquidation in 1984. For a full history of the company, please refer to Finbar Crowe, 'The History of Cannocks', Old Limerick Journal 18 (1985), pp. 5-9 and Old Limerick Journal 19 (1986), pp. 13-17.
Lorna Teresa Reynolds was born on 17 January 1911 in Jamaica as the eldest of five children of Michael Reynolds and Teresa Anne née Hickey. When her father died in 1921, she and her family returned to Ireland. Having spent three years in Birr, county Offaly, the family moved to Dublin, where Lorna completed her secondary education at the Dominican College on Eccles Street. She continued her education at University College Dublin, where she studied English, obtaining a BA in 1933, an MA in 1935 and a doctorate in 1940. Her doctoral dissertation dealt with the Bible. During her college years, she made lasting friendships with Mary Lavin, Cyril Cusack and Brian O’Nolan, better known as Flann O’Brien.
Shortly after graduating, Reynolds joined the teaching staff at UCD, where her striking presence, intense love of English literature and ability to listen made her highly popular among students. Her relationships with the college authorities was less successful, particularly so in the case of the then president, Michael Tierney, to whom she refers in her letters as ‘the snake in the grass’. In 1966, Reynolds was appointed Professor of Modern English at University College Galway. Here, she revitalised the department and organised a number of high-profile conferences, most notably the J. M. Synge centenary conference in 1971. She served as editor of the University Review (now Irish University of Review) in the 1950s. She also co-edited two books with Robert O’Driscoll, Yeats and the Theatre (1975) and The Untold Story: The Irish in Canada (1988).
In addition to being a distinguished academic, Reynolds was an accomplished poet and translator of Italian poetry, sometimes in collaboration with Gioia Gaidoni (1915-1993). Her poems and short stories were published in the Dublin Magazine in the 1940s and later in The Bell, Poetry Ireland, Arena, The Lace Curtain and Botteghe Oscure. She was a familiar figure at various international writers’ conferences and socialised with many of the leading European writers of the day.
One of defining aspects of Reynolds’ life was her strong belief in women’s rights and the importance of their contribution to Irish society. She was a leading member of the Women’s Social and Progressive League in the 1940s and actively involved in the UCD Women Graduates’ Association. She was also a popular after-dinner speaker at various women’s groups.
In 1978, Reynolds returned to Dublin to live in the old family home on Merrion Square. She derived great pleasure from entertaining friends and was an excellent cook, a skill which culminated in the publication of a cook book, Tasty Food for Hasty Folk, in 1990.
Lorna Reynolds died on 4 July 2003 aged 91.
Rosemary Dalton was born Rosemary Bartram in Dublin. She started ballet classes at the Abbey School of Ballet, co-founded by W. B. Yeats and Ninette de Valois in 1927. She also studied piano at the Municipal School of Music (now College of Music) under Josephine Curran and acted as accompanist to the school’s orchestra under Michael McNamara.
In 1953, on a trip to enjoy a week of ballet performances in London, Rosemary became acquainted with author and bookseller Cyril Beaumont and his wife. Their friendship was to last until Cyril Beaumont’s death in 1976.
Rosemary became involved with the National Ballet School, founded by Cecil ffrench Salkeld in 1954, both as a council member and as a student, taking classes with the school’s artistic director, Madame Valentina Dutko. Encouraged by Dutko, Rosemary started an evening class for adults who had danced ballet as children and wished to take it up again as a hobby. When Valentina Dutko moved to the United States with her diplomat husband, the ballet school was left in Rosemary’s care. In need of a teacher of the Russian method of Ballet which the school had adopted, Rosemary wrote to Nadine Nicolaeva-Legat and on her recommendation hired Legat’s former student, Patricia Ryan, as a teacher.
Following her marriage, Rosemary Dalton moved from Dublin to Cork and as a consequence of family commitments gave up an active involvement in ballet in 1963 for a number of years. In the late 1980s, she befriended Eric Gibson and Mary Gibson-Madden and became involved in the running of Ballet Theatre Ireland founded by the couple in 1992. Her involvement in the school was to lead to a friendship with Dame Ninette de Valois and her secretary Helen Quinnell who, along with Sir Peter Wright, joined forces in an ultimately unsuccessful attempt to encourage the Arts Council to support the dance company.
In 1980, Cork Vocational Education Committee persuaded Rosemary to start fitness classes for women. She taught yoga in adult education classes and community schools in Cork for 30 years, retiring in 2011.
Catherine Gyll was born Catherine Doolin in Dublin in 1923. After seeing a production by the Irish Ballet Club at the Abbey Theatre in late 1939, she auditioned for and was invited to join the Club by its director, Cepta Cullen. Catherine studied and performed with the Irish Ballet Club until 1943, during which time she also studied radiography at St. Vincent’s hospital, Dublin. Catherine performed in most of the Ballet Club’s repertory during this period, including Puck Fair, Aisling, Lanner Waltz, Rhapsodie, and Peter and the Wolf. In 1943, Catherine went to work in London where she met and married theatre director Peter Gyll (1913-1989) while working as an Assistant Stage Manager. Catherine returned to live in Ireland in 2004.
Mary Anne Mulcahy (née O’Keeffe) was born in 1927 in Mallow and first became interested in Irish dancing at the age of seven as a pupil of Joan Denise Moriarty, then the only Irish dancing teacher in the area. She later trained with Cormac O’Keeffe in Cork city. Having acquired teaching qualifications c. 1947, she established the Mulcahy School of Irish Dancing, which is now run by her daughter Breda. She also qualified as an adjudicator c. 1966. Mary Mulcahy remains well known in the Irish dancing circles and continues to travel around the world with pupils of the Mulcahy School of Irish Dancing.
Photographer Gerard O’Meara was born in Cork City in 1944 and lives in Mallow. He took up photography at the age of 14 and received his first professional commission just four years later. Over his long and varied career, theatre and fashion photography have remained closest to his heart.