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Edward Thomas Dore was a native of Glin, county Limerick. He joined the Irish Republican Brotherhood while a student at Rockwell College and fought in the 1916 Easter Rising. He was arrested and interned at Frongoch until the end of 1916 with many of the noted Irish freedom fighters of the time. In 1918, he married Commandant Edward ('Ned') Daly’s sister Nora (1889-1977) and later took over her family’s bakery business at William Street, Limerick. In 1931, he co-founded the Limerick Memorial Committee to fundraise for a monument on Sarsfield Bridge in Limerick city to honour those who died in the Easter Rising. The outbreak of the Second World War, the death of the sculptor and a shortage of funds stalled the project, and it was not until 27 May 1956 that the memorial was unveiled. Edward Dore died at his home in Limerick on 17 June 1972.

Marguerite Donlon was born in 1966 in County Longford. Her early life was influenced by traditional Irish dance, and she did not begin her ballet studies until the age of 16. She received her training from Anica Dawson and Dorothy Stevens, and was a member of the English National Ballet under Peter Schaufuss. In 1990, she became a solo dancer and choreographer with the Deutsche Oper Berlin. She has worked with many celebrated artists, including Natalia Makarova, Rudolf Nureyev and Sir Kenneth MacMillan. In 2001, Donlon became director of the ballet at the Saarländisches Staatstheater in Saarbrücken, Germany. Her resident company, Donlon Dance Company, is renowned for the highly technical and artistic level of its dancers. They have presented not only Donlon’s choreographies but those of prominent artists such as Ji?í Kylián, Christian Spuck, Helena Waldmann and Rafael Bonachela. Donlon’s artistic and innovative style, which combines different art forms and humour, has been recognised through several awards and nominations. Donlon resigned her directorship in 2013 and was awarded a Medal of Merit for her outstanding work as ballet director and her contributions to the world of dance. Since 2014, Donlon has brought her creativity and coaching skills to the world of business as a business coach and leadership mentor.

James Devine was born in Ireland and began to take dance lessons at the age of eight. At the age of fourteen he became the only Irishman to have won the World, American, British, and All-Ireland Irish dancing titles in the same year. In 1996, Devine was selected by Michael Flatley to star in his Lord of the Dance show and spent two years performing in the show’s global tour. Between 1998 and 2000, Devine lived in Australia where he choreographed, directed, and performed the lead role in the dance show GaelForce, which toured worldwide. Since 2001, Devine has lived predominantly in America where he has taught Irish dancing to thousands of enthusiasts. In February 2005, he began work on a new solo project, Tapeire, which premiered the following year at the Edinburgh Fringe Festival to critical acclaim. The show’s success inspired Devine to found his own production entity, Devine Dance Company, and to bring Tapeire on tour in America and Canada. Devine is widely respected as a leader in the world of percussive dance and holds the world record for fastest tap-dancing speed.

For a full biography of Éamon de Valera, please refer to the Dictionary of Irish Biography, https://www.dib.ie/biography/de-valera-eamon-dev-a2472.

Ernest de Regge was a major influence in the development of church music in Ennis and the diocese of Killaloe. He was an accomplished musician, organist and composer, and much of his music was performed by the Ennis Cathedral choir and broadcast on RTÉ. He was also instrumental in setting up the annual Church Music Festival, which was held in Ennis in the 1930s. Under the auspices of An tOireachtas, he arranged Irish melodies for school choirs and received many national and international awards for his work.

Ernest de Regge was born on 15 January 1901 in Overmere, Flanders, Belgium, where his father was an elementary school teacher and organist. Ernest’s musical talent was recognised at a young age and while still in elementary school he and his brother were given the opportunity of private classes under Jules De Groot, organist at the cathedral in Ghent. His secondary school in Sint Niklaas prepared him not only for teaching but also for the position of church organist. He then enrolled in the prestigious conservatory, the Lemmens Institute in Malines (currently incorporated into the University of Louvain), where he studied composition, organ and Gregorian music. In 1922, he received the degree of Licentiate in Music claiming first place in composition, while his classmate, the world famous Flor Peeters, took the prize for organ.

From 1900, the Lemmens Music Conservatory in Malines had sent its organists and musicians to Ireland. Ireland had musical people and good, well-maintained organs but lacked trained organists and musicians who could play them to the highest standard. There had been much sympathy in Ireland for Belgians suffering during the First World War, while the struggle for Irish independence had created much interest and sympathy on the continent. In 1923, Bishop Fogarty appointed Ernest de Regge music professor at St. Flannan’s College and organist-choirmaster in the Cathedral of SS Peter and Paul. The bishop’s aim was to implement the instruction of Pope Pius X to simplify choir music. In St. Flannan’s (a junior seminary), de Regge would be instructing future clergy of the diocese of Killaloe in musical literacy and giving them a firm grounding in Gregorian Chant.

In the 1920s and 1930s, de Regge returned frequently to Belgium to continue his studies under the distinguished teacher of harmony and orchestration, Paul Gilson of Liege (recipient of the prestigious Prix de Rome award). They were collaborating in 1942 on de Regge’s Piano Concerto when Paul Gilson died; it would appear that the work was never published. He also continued his studies in composition with Lodewijk Mortelmans, director of the Antwerp Music Conservatory.

The Ennis Cathedral choir had been associated with liturgy in the cathedral for over one hundred years, beginning in 1859 with another Belgian, Charles Louis ‘Mons’ Nono. In the cathedral, de Regge created a showpiece choir, which was the envy of other dioceses. The choir, which often had over a hundred members, was a focal point for the young people of Ennis. The highlights of the church calendar were the midnight mass and high mass at Christmas, Easter and St Patrick’s Day. Talented local singers received extensive training and in particular the voices of Eva Meehan (alto), Amby Costello (soprano), John Murphy and Aiden Tuttle (tenor), Stephen Touhy and George Meehan (bass) and Liam Walker (alto) were highlights of this era. Broadcasts on Radio Éireann included Sacred Concerts in 1930, 1933, 1935, 1946 (Diamond Jubilee of Bishop Fogarty), and 1947 (Mass in honour of Blessed Oliver Plunket), in addition to concerts such as the An Tostal in 1953.

In the early 1930s, the new Irish Republic was very anxious to acquire and publish new Irish music through the state publishing company, An Gum. De Regge and Micheál Ó Siochfhradha (a primary school inspector based in Ennis, a skilled violinist and a John McCormack Medal-winning tenor) took up that task. These two, together with Father Joseph Rogers, Irish professor at St Flannan’s and Sister Mary Albeus of the Sisters of Mercy worked for several years adapting old Irish airs for school choirs. O’Siochfhradha and de Regge also published a textbook The Rudiments of Music (1953) in both Irish and English on the teaching of music as a subject for secondary schools.

De Regge composed almost two hundred works for choirs of mixed voices, songs based upon English and Irish texts, masses, motets, piano and organ pieces. His profile grew as he won national competitions. He received the Composers Competition Milligan Fox medals in 1939, 1942 and 1946; Dr Annie Patterson Medals in 1943 and 1953 for composition; and first prizes in An tOireachtas Ceol in 1943, 1944, 1945, 1946, 1947 and 1956. It was, however, impossible to support his growing family as a music teacher and organist, and after entrepreneurial ventures into farming (chickens) and importing cars (Borgward and Lloyd), he opened a jewellery shop in O’Connell Street, Ennis and a music shop in Limerick. He combined his passion for collecting paintings and antiques with trips to the Dublin auction houses, where he bought pianos for refurbishing and resale.

The night before the fateful furniture auction at the historic Carmody’s Hotel in Ennis, de Regge quipped to his friend and choir manager Paddy Gill that he would buy de Valera’s bed for him (Paddy was not a Dev supporter). Next day, on 15 January, 1958, the floor of the auction room collapsed killing Ernest de Regge and seven others and injuring fourteen. The tragedy cast a shadow over the town for many months and years to come.

Ernest de Regge is remembered for his great musical talent, his continued and infectious good humour, his zeal and above all his kindness. He was a second father to his students and young choir members and always nurtured their talents; money was never a barrier to someone who had talent. He had special time for those who had to emigrate, perhaps remembering his own times in the twenties, and often took time to write to them to help them through those first lonely weeks, usually in England. Ernest de Regge had become an adopted son of Ennis, and as such had been taken to the town’s heart. He had left his mark on the musical and social life of so many in County Clare and farther afield.

General Sir Henry de Beauvoir De Lisle was a British Army Officer. He served in the First World War as commander of the 2nd Cavalry Brigade, then as General Officer Commanding (GOC) 1st Cavalry Division and as GOC 29th Division during the Gallipoli Campaign.

The De Lavals were a notable Huguenot family who claimed descent from King Henry IV of France and held title to extensive seigneuries in Picardy. Like other Huguenot families, they had greatly benefited from the Edict of Nantes issued by Henry IV in 1598, which granted substantial rights to Calvinist Protestants in a strongly Catholic country. The Edict was bitterly opposed by the Catholic clergy and many French parliaments and was eventually revoked by Louis XIV in 1685. The revocation deprived French Protestants of all religious and civil liberties and subjected them to intense religious persecution. The Vicomte Henri Robert d’Ully de Laval was imprisoned at Laon in 1688 and his estates were declared forfeit. He was able to escape in September 1689, and eventually sought refuge in Ireland. He moved to Portarlington in 1695, where his rank and considerable wealth allowed him to establish a leading position in the community.

In 1808, the Vicomte’s great-granddaughter Deborah Charlotte Newcombe married Thomas Gilbert Willis, son of Thomas Willis, the Master of Portarlington’s most famous French school. Thomas Gilbert, who had taken Holy Orders in the Anglican community, was appointed Rector of Kilmurry Church, Limerick (now adjacent to the campus of the University of Limerick); his son Thomas was appointed Curate to the same church in 1832. Thomas Gilbert was also appointed Prebendary to St Mary’s Cathedral, and Master of the Diocesan School which he ran from his house in Thomas Street. He died in 1837 and was buried outside the west door of the Cathedral. Following his death, his widow opened a Day and Boarding School for Young Ladies in No. 5 Pery Square, while his son William continued to run the private school in Thomas Street. Thus, the strong tradition of education established by the Willis family in Portarlington was successfully extended to Limerick.