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Thomas G. (Tom) Nestor was born in 1936 in Coolcappa, Rathkeale, County Limerick as a farmer’s son and one of ten children. He was educated in St Flannan’s College, Ennis, in 1950-1954, and began his working career in 1955, first with Shannon Sales and Catering Service, and then with an American company in Ennis, where he lived from 1981 to 1990. Nestor later became self-employed and ran a training and consultancy programme for middle managers until his retirement in 2004. He married in 1964 and settled in Birr, County Offaly.

Nestor began his writing career in 1964 with two articles about rural Ireland, which were published in the Manchester Guardian. These were followed by Twilight in Suburbia, written for Donacha O’Dulaing for his radio programme A Munster Journal. The work was however rejected. His published works include three radio plays broadcast by BBC and RTÉ, some thirty short stories published in Scotland, USA and Australia, and three novels: The Keeper of Absalom’s Island (1999), The Blue Pool (2002) and Talking to Kate (2009). From 1964 to 1998 Nestor also contributed to The Limerick Leader with his column My Life and Times.

Thomas Nestor died on 22 December 2023 at the age of 87.

Terence Aloysious 'Terry' Bowler was born in London on 21 June 1928. His mother was from Dublin and his father from Dingle, Co. Kerry. The family was very musical and had their own Irish band, which during the war played in all the Irish Halls in London. Terry became interested in Irish dancing at the age of 11, when he began to take lessons from Maura Sheehan. In the early 1940s he joined Charlie Smith’s School of Irish Dancing in London and became one of its best dancers, coming second in the All England Championships in the late 1940s. He was also interested in teaching and in 1948 opened his first class in St. Monica’s Hall in Hoxton, East London.

Nancy Brown was born in Mallow on 6 November 1932, but grew up in Cork city. At the age of 4, she joined Joan Denise Moriarty’s ballet classes in Mallow but within a few months abandoned ballet and took up Irish dancing. Between the ages of 4 and 8 she was taught by Kevin O’Connell, Peggy McTaggart and finally by Cormac O’Keeffe, with whom she remained until the age of 18. She was the winner of the Junior Champion¬ships two years in succession at Feis Matiu. She also won the Munster championship in the 1940s and came second in the Thomond Belt in Limerick in 1949. In 1952, she moved to London for treatment for a medical condition, While waiting for corrective surgery, she joined Charlie Smith’s School of Irish Dancing in London, initially as a dancer and soon after as a teacher.

Nancy Brown met Terry Bowler in Chelsea at an Irish dancing event in 1952, and the couple married in 1956. They began teaching together in the Bowler School of Dancing in London in 1953, and in that same year were invited to do a tour in Lower Austria. In 1967, Terry and Nancy became the first married couple ever to achieve the A.D.C.R.G. examination at the same time. They both taught Irish dancing for the Inner London Education Authority from 1955 to 1990, and other classes until 1995. For many years, they also taught Irish dancing to the pupils of the Royal Ballet School. As teachers, the couple’s roles were very clear cut, Terry creating choreographies and Nancy polishing the acts. Their dance teams won numerous competitions, including the Figure Dance World Championships in the 1970s. In addition to his love of dancing, Terry Bowler was an accomplished graphic artist and columnist.

Victoria O’Brien started her dance training at the Irish National College of Dance in Dublin and is a graduate of the Northern School of Contemporary Dance in Leeds. She undertook further studies at the Laban Centre, London and completed a PhD in dance history at the Irish World Academy of Music and Dance, University of Limerick. She is currently Dance Adviser at the Arts Council. An active dance historian and consultant, Victoria continues to research, lecture, and publish in the areas of Irish ballet history and cultural memory.

For a full biography of Seán Mac Diarmada, please refer to the Dictionary of Irish Biography, https://www.dib.ie/biography/mac-diarmada-macdermott-sean-a5027.

For a full biography of Eugene O'Curry, please refer to the Dictionary of Irish Biography, https://www.dib.ie/biography/ocurry-curry-o-comhrai-eugene-eoghan-a6664.

James Gaffney was born in Limerick on 12 October 1866 to Thomas Gaffney and Agnes Mary née Clune. He was educated at Crescent College, Limerick and gained a BA from University College Dublin in 1887. Later that year he became apprenticed to Patrick Shelton Connolly, a solicitor in Limerick. He qualified as a solicitor in November 1890. In 1907, he was appointed Crown Solicitor for county Limerick and served in that capacity until 1920. James Gaffney married Mary ('Cis') Spain in 1901 and by her had two sons and five daughters. He died in Limerick city on 21 October 1933.

David Bolger is an Irish dancer, choreographer and founder of the dance company CoisCéim.

Liv O’Donoghue trained at the Northern School of Contemporary Dance in the UK, graduating in 2007 with the Outstanding Achievement Award. She then joined the school’s graduate company, Verve, touring and performing internationally while also completing her Graduate Diploma in Performance. Since then, she has worked and toured extensively with distinguished dance companies and choreographers, including Irish Modern Dance Theatre, Rex Levitates Dance Company (later renamed Liz Roche Company), and with other artists, including composers Christian Mason and Benedict Schlepper-Connolly, and photographers Elena Galotta and Luca Truffarelli.

In addition to her collaboration with other artists, Liv O’Donoghue has developed her own choreographic practice. Her work has been shown at dance festivals in Ireland, Europe, Japan, and the USA. In 2011, she was Artist-in-Residence at the Hawk’s Well Theatre in Sligo. In 2012-2013, she undertook dance residencies at various European dance houses, including TanzQuarter in Vienna, as a Carte Blanche Artist for the multi-annual cooperation project Modul Dance. In 2012, she was also selected as an artist for the European dance project Act Your Age, in which choreographers research and create new work inspired and performed by senior individuals to tackle the issue of age and ageing. Her widely acclaimed work is supported by the Arts Council, Culture Ireland, and Dance Ireland.

Patricia Mulholland was the founder of the Irish Ballet School in Belfast and of the Irish Ballet Company, which made its debut in 1951 during the Festival of Britain in the Empire Theatre, Belfast. In 1953, at the request of the Council for the Encouragement of Music and the Arts (CEMA), Mulholland devised and produced the first Irish folk ballet, Cuchulain. A further group of ballets was sponsored by CEMA, including The Piper, The Dream of Angus Óg and Follow Me Down to Carlow. Other works in her extensive choreography, strongly influenced by Irish legends and folklore, include The Mother of Oisín, The Black Rogue, The Oul’ Lammas Fair in 1900, The Children of Lír, Phil the Fluter’s Ball and The Hound of Culann. Mulholland’s choreographies were not ballet in the classical sense but a form of folk ballet – Irish mythology interpreted by Irish dancers to Irish music and song. Patricia Mulholland is regarded as one of the most influential figures of twentieth-century Irish traditional dancing and the founder of Festival Dance, a specialised form of Irish dancing which focuses on the individuality of each dancer’s style, thus breaking away from the more rigid and formulaic ‘Feis’ style.

The Odell family were Cromwellian settlers and have been associated with county Limerick since the mid-seventeenth century. In the 1770s, John Fitzcharles Odell built a house, Odellville, in the parish of Ballingarry. The property passed to the Morony family through the marriage of Helen Mary Odell to Edmund Morony in 1860.