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The 10th (Prince of Wales's Own) Royal Hussars was a cavalry regiment of the British Army. It was formed in 1715, when it was known as Gore's Regiment of Dragoons. It was renamed the 10th Regiment of Dragoons in 1715 and, after two further name changes, became known as the 10th (Prince of Wales's Own) Royal Hussars. The regiment saw action during the Peninsular War, Crimean War, Second Anglo-Afghan War, Madhist War and Second Boer War and was subsequently stationed in India and South Africa. In October 1914, the regiment returned to Britain to join the British Expeditionary Force for service on the Western Front during the First World War. On its return to Britain in 1921, the Regiment was retitled The 10th Royal Hussars (Prince of Wales's Own). In October 1969, it amalgamated with the 11th Hussars (Prince Albert's Own) to form the Royal Hussars (Prince of Wales's Own).

Deirdre Grant was born in Wexford and was first introduced to contemporary dance in that town in 1984, when she joined the Barefoot Youth Dance Company. She later gained a BA in Dance with Education from Middlesex University, London, undertook post-graduate training in Community and Youth Dance, and has recently trained with Joan Davis (Certificate of Somatic Studies). In 1999, she co-founded Myriad Dance with Brid Malone, and remains the company’s artistic director. Grant is the author of Are We Dancing Yet, published by Wexford County Council in December 2011.

Myriad Dance successfully promoted dance awareness, participation, and appreciation regionally through various dance performance-based initiatives (mainly site specific works) and development initiatives, including the Sonraigh Youth Dance Festival and the Pulse Youth Dance Programme (2001-2008) in partnership with Wexford County Council. The latter was expanded in 2009 and continued to operate under the name Education and Community Programme @ Myriad as the largest youth dance partnership with a local authority in Ireland. In July 2009, Myriad Dance moved into the newly built Wexford Opera House, in which they were one of two resident dance companies. Over the years, the dance company’s intense focus in youth and education left it at odds with its original role as a production company. As a consequence, the dance company was wound down in 2015.

Gerard P. Gallivan was born in Limerick in 1920 and grew up on Henry Street. A contemporary of Frank McCourt, Gallivan’s recollections of his home city differed considerably from those described in Angela’s Ashes, although the two men lived in very similar spheres. Gallivan was educated at Crescent College and graduated in 1939. He began his working career in England, where he emigrated in 1940. Here he also met his wife, whom he married in 1945. A year later, they returned to Ireland and settled in Limerick, where Gallivan established a career in the airline industry. In 1952, he was transferred to Dublin, where he was to live for the rest of his life.

Gallivan’s writing career commenced at the age of 18, when he wrote his first novel, The Hawk, but failed to get it published. He later found his feet as a playwright and over his long career wrote more than 40 plays, many of which were produced at the Gate Theatre, Abbey Theatre, Elbana Theatre and Olympia Theatre in Dublin, and the Lyric Theatre in Belfast. He also did a lot of journeyman work, contributing several episodes to the popular radio series Harbour Hotel and The Kennedys of Castleross, and for the television drama Kilmore House. Many of his stage scripts, such as Parnell, The Final Mission and The Lamb and the Fox, were also produced as radio plays.

Gerard Gallivan's works focus predominantly on Irish political history (particularly the foundation of the Irish State) and major Irish and English political and social figures such as Bernard Shaw, James Joyce, Oscar Wilde, Maude Gonne, W. B. Yeats, Noel Chamberlain, Eamonn De Valera, Michael Collins and Cardinal Newman. His published plays include Decision at Easter (1960); And a Yellow Singing Bird (1963); Mourn the Ivy Leaf (1965); Dev (1978); Watershed (1981), Lovesong (1984), and three volumes of Selected Plays (1999-2008). Among his best-known stage plays is The Stepping Stone, which was originally performed in 1963 and enjoyed a popular revival in Cork in 1997. Gallivan continued to write until the last months of his life. His later works included The Indomitable Lamb (1997), The Prudent Paramour (1997) and The Rusted Dagger (1998), all of which were broadcast as radio plays. His other late works included a family history The Gallivans of Limerick (1995), and a commissioned account of his working life, My Times in Irish Travel, published posthumously in 2004 as Ireland Enters the Air Age. He died on Christmas Day 2003.

Ann Gallagher, the daughter of Frank and Cecilia Gallagher, was born in Dublin. She attended the Abbey School of Ballet under Muriel Kelly’s direction as a child, and it was at the Abbey School that her lifelong interest in ballet started. She was interested in and exposed to all aspects of Dublin’s cultural life from an early age, and began visiting ballets and collecting programmes, which form the core of this collection.

Thomas St. John Gaffney was born in Limerick on 71 May 1864 to Thomas Gaffney and Agnes Mary née Clune. He emigrated to America at the age of 18 and was admitted to the New York Bar in 1889. He became a naturalized American citizen and in 1897 was elected president of the Patriotic League of America. He was appointed Consul General for Dresden in 1905 and that of Munich in 1913, but was forced to resign in 1915 following his open support for Germany during the First World War. In 1916 he was appointed European representative of the American organisation Friends of Irish Freedom. During his time in Germany, Gaffney befriended Roger Casement and provided scathing criticism of Casement's treatment in his memoir Breaking the Silence: England, Ireland, Wilson and the War. Gaffney married Frances Humphreys née Smith, widow of Jay Humphreys in 1894. He died in Summit, New Jersey on 13 January 1945.