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Timothy Looney, a native of Cahir, county Tipperary, was born in 1914. A well-known local historian, he could regularly be found exploring local castles, churches, graveyards and sites of archaeological interest. He was known to challenge established beliefs and traditions and to use the evidence of cross-disciplinary elements such as documents and landscapes to offer alternative interpretations. His house on Pearse Street, a treasure trove of maps, books, documents and photographs, was a popular port of call for genealogists tracing their ancestors and for scholars researching historical topics. Looney’s collecting activities culminated in a remarkable salvage operation to recover papers from Shanbally Castle, county Tipperary prior to its destruction by a controlled explosion in March 1960.

In addition to his historical pursuits, Looney was an active member of his local community. He had a lifelong interest in the GAA, and was influential in the development of Gaelic games in Cahir. He was a tireless charity worker and fundraiser. Throughout the 1950s and 1960s, he organised volunteers to travel around the country to collect money for the Central Remedial Clinic, known as the Little Willie Fund, to aid the plight of polio victims. A supporter of the trade union movement, he was also active in the Irish Transport and General Workers Union. He had a great fondness for Cahir, and campaigned prominently to save its historical railway station. Timothy Looney died in his native town in 1990.

Seán Lysaght was born in 1957 and grew up in Limerick. He was educated at UCD, where he received a BA and an MA in Anglo-Irish Literature. He spent several years in Switzerland and Germany before returning to Ireland to teach and pursue further studies at St Patrick’s College, Maynooth. In 1996, he received a PhD for his biographical study of Irish natural historian Robert Lloyd Praeger, which was published two years later by the Four Courts Press as Robert Lloyd Praeger: The Life of a Naturalist. He now lives in Westport and lectures at the Galway-Mayo Institute of Technology.

Lysaght’s early ventures into poetry won acknowledgment in 1975 at the North Cork Writers’ Festival in Doneraile, where he received first prize in the under 18 category with his poems 'The Geese', 'Sacrilege' and 'They Cast off Youth'. He also won an award at the annual Patrick Kavanagh poetry festival in 1985. Lysaght’s first collection of poems, Noah’s Irish Ark, was published in 1989 by the Dedalus Press. His second collection, The Clare Island Survey (Gallery, 1991) was nominated for The Irish Times/ Aer Lingus poetry award. In 2007, Lysaght received the prestigious O’Shaughnessy Award for Poetry. His work draws heavily on the natural world, combined with allusions to literature and legend. According to Lysaght, ‘poetry should be a negotiation between what we know to be our limits and the revelation of something we didn’t even realise was there in the first place.’

Thomas Graham and Joyce Ann MacCafferty were former pupils and dancers of the Belfast-born Patricia Mulholland (1915-1992). Mulholland was the founder of the Irish Ballet School in Belfast and of the Irish Ballet Company, which made its debut in 1951 during the Festival of Britain in the Empire Theatre, Belfast. In 1953, at the request of CEMA, Mulholland devised and produced the first Irish folk ballet, Cuchulain. A further group of ballets was sponsored by CEMA, including The Piper, The Dream of Angus Óg, and Follow Me Down to Carlow. Other works in her extensive choreography, strongly influenced by Irish legends and folklore, include The Mother of Oisín, The Black Rogue, the Oul’ Lammas Fair in 1900, The Children of Lír, Phil the Fluter’s Ball, and The Hound of Culann. Mulholland’s choreographies were not ballet in the classical sense but a form of folk ballet – Irish mythology interpreted by Irish dancers to Irish music and song. Patricia Mulholland is regarded as one of the most influential figures of twentieth-century Irish traditional dancing and the founder of Festival Dance, a specialised form of Irish dancing which focuses on the individuality of each dancer’s style, thus breaking away from the more rigid and formulaic ‘Feis’ style.

John Maurice ‘Jack’ MacCarthy was born in Kilfinane, County Limerick, and was educated to primary school level locally. He completed his secondary education in Clongowes Wood College in County Kildare. From an early age MacCarthy was highly interested in nationalist politics. He joined the Irish Volunteers at their inception in 1914 and was involved in the reorganisation of the Volunteers in 1917 following the release of IRA prisoners. In the War of Independence he was successively Commandant of the Galtee Battalion, Commandant of the East Limerick Brigade and Vice Officer Commanding and Adjutant of the 4th Southern Division of the Irish Republican Army. He was heavily involved in all the major operations conducted by the East Limerick Brigade during the conflict, most famously in the events surrounding the downing of an RAF airplane by the IRA. At the end of the War of Independence, MacCarthy joined the pro-Treaty side for purely pragmatic reasons, realising that the IRA would be unable to recommence hostilities against the vastly superior British forces. In later years, MacCarthy worked as military correspondent to the Irish Independent during the Second World War and was the author of Limerick’s Fighting Story (1948).

Norman Maen was born Norman Maternaghan in Ballymena, County Antrim in 1932. He began his dance tuition at an early age by attending Irish dancing classes on Saturday mornings at the Protestant Hall in Ballymena. He was a member of Patricia Mulholland’s Irish Ballet Company and for many years an All-Ireland champion Irish dancer. Maen’s career plans initially led him to Ballymena Academy and Stranmillis College, Belfast, where he gained teaching qualifications, but within a year of his graduation he decided to follow his dream of appearing on stage. He moved first to Vancouver and then to Toronto, where Canadian Broadcasting Corporation chose him as one of their elite six-member television dance team, Alan Lund Dancers, who appeared on a weekly television series, Camelot, starring Robert Goulet. He later moved to New York to work on Broadway as the principal dancer for Jack Cole. In 1961, Maen returned to Ireland to work as station choreographer for Telefís Éireann for three years. In 1963, he moved to London, where he set up his own dance company, The Norman Maen Dancers. In a daring move to gain commissions, he invited theatre and television producers to an audition showcasing the skills of his dance troupe. The gamble paid off, resulting in four offers.

Maen’s superbly choreographed work is perhaps best remembered from the primetime television series This is Tom Jones (1969-1971) which gained him an Emmy for outstanding achievement in choreography in 1970. He arranged dance routines for stars like Liza Minnelli, Julie Andrews, and Juliet Prowse, and was the creator of a number of dance routines for the Muppet Show, including the unforgettable Swine Lake sequence featuring Rudolf Nureyev and Miss Piggy. Maen’s other notable contributions to the world of entertainment include several years as director of the Royal Variety Performance, choreographic work created for musical theatre in Dublin (including Finian’s Rainbow and The Fantasticks) and the West End (such as Man of Magic and Irene), and choreography for the musical The Young Ladies of Rochefort (1967), starring Gene Kelly and Catherine Deneuve.

Maiden Voyage Dance Company was established in 2001 by dancer Nicola Curry (now the company’s Artistic Director) to bring the best of contemporary dance performance to audiences across Northern Ireland and beyond. In addition to producing touring commissions, the company offers a range of tailor-made education and outreach opportunities in the form of masterclasses, residencies, workshops, and lectures, including the Leap Forward initiative to promote positive mental health. The company is also dedicated to developing dance skills through various mentoring initiatives and professional development courses. Maiden Voyage remains Belfast’s only professional contemporary dance company.