Cookies are small text files that we save on your device when you use our website. The law states that we can only store cookies on your device if they are strictly necessary for the operation of the website. For all other types of cookies, we need your permission. For further information, please see our Cookie Statement.
For a full biography of Seán Mac Diarmada, please refer to the Dictionary of Irish Biography, https://www.dib.ie/biography/mac-diarmada-macdermott-sean-a5027.
Thomas Graham and Joyce Ann MacCafferty were former pupils and dancers of the Belfast-born Patricia Mulholland (1915-1992). Mulholland was the founder of the Irish Ballet School in Belfast and of the Irish Ballet Company, which made its debut in 1951 during the Festival of Britain in the Empire Theatre, Belfast. In 1953, at the request of CEMA, Mulholland devised and produced the first Irish folk ballet, Cuchulain. A further group of ballets was sponsored by CEMA, including The Piper, The Dream of Angus Óg, and Follow Me Down to Carlow. Other works in her extensive choreography, strongly influenced by Irish legends and folklore, include The Mother of Oisín, The Black Rogue, the Oul’ Lammas Fair in 1900, The Children of Lír, Phil the Fluter’s Ball, and The Hound of Culann. Mulholland’s choreographies were not ballet in the classical sense but a form of folk ballet – Irish mythology interpreted by Irish dancers to Irish music and song. Patricia Mulholland is regarded as one of the most influential figures of twentieth-century Irish traditional dancing and the founder of Festival Dance, a specialised form of Irish dancing which focuses on the individuality of each dancer’s style, thus breaking away from the more rigid and formulaic ‘Feis’ style.
John Maurice ‘Jack’ MacCarthy was born in Kilfinane, County Limerick, and was educated to primary school level locally. He completed his secondary education in Clongowes Wood College in County Kildare. From an early age MacCarthy was highly interested in nationalist politics. He joined the Irish Volunteers at their inception in 1914 and was involved in the reorganisation of the Volunteers in 1917 following the release of IRA prisoners. In the War of Independence he was successively Commandant of the Galtee Battalion, Commandant of the East Limerick Brigade and Vice Officer Commanding and Adjutant of the 4th Southern Division of the Irish Republican Army. He was heavily involved in all the major operations conducted by the East Limerick Brigade during the conflict, most famously in the events surrounding the downing of an RAF airplane by the IRA. At the end of the War of Independence, MacCarthy joined the pro-Treaty side for purely pragmatic reasons, realising that the IRA would be unable to recommence hostilities against the vastly superior British forces. In later years, MacCarthy worked as military correspondent to the Irish Independent during the Second World War and was the author of Limerick’s Fighting Story (1948).
Norman Maen was born Norman Maternaghan in Ballymena, County Antrim in 1932. He began his dance tuition at an early age by attending Irish dancing classes on Saturday mornings at the Protestant Hall in Ballymena. He was a member of Patricia Mulholland’s Irish Ballet Company and for many years an All-Ireland champion Irish dancer. Maen’s career plans initially led him to Ballymena Academy and Stranmillis College, Belfast, where he gained teaching qualifications, but within a year of his graduation he decided to follow his dream of appearing on stage. He moved first to Vancouver and then to Toronto, where Canadian Broadcasting Corporation chose him as one of their elite six-member television dance team, Alan Lund Dancers, who appeared on a weekly television series, Camelot, starring Robert Goulet. He later moved to New York to work on Broadway as the principal dancer for Jack Cole. In 1961, Maen returned to Ireland to work as station choreographer for Telefís Éireann for three years. In 1963, he moved to London, where he set up his own dance company, The Norman Maen Dancers. In a daring move to gain commissions, he invited theatre and television producers to an audition showcasing the skills of his dance troupe. The gamble paid off, resulting in four offers.
Maen’s superbly choreographed work is perhaps best remembered from the primetime television series This is Tom Jones (1969-1971) which gained him an Emmy for outstanding achievement in choreography in 1970. He arranged dance routines for stars like Liza Minnelli, Julie Andrews, and Juliet Prowse, and was the creator of a number of dance routines for the Muppet Show, including the unforgettable Swine Lake sequence featuring Rudolf Nureyev and Miss Piggy. Maen’s other notable contributions to the world of entertainment include several years as director of the Royal Variety Performance, choreographic work created for musical theatre in Dublin (including Finian’s Rainbow and The Fantasticks) and the West End (such as Man of Magic and Irene), and choreography for the musical The Young Ladies of Rochefort (1967), starring Gene Kelly and Catherine Deneuve.
Maiden Voyage Dance Company was established in 2001 by dancer Nicola Curry (now the company’s Artistic Director) to bring the best of contemporary dance performance to audiences across Northern Ireland and beyond. In addition to producing touring commissions, the company offers a range of tailor-made education and outreach opportunities in the form of masterclasses, residencies, workshops, and lectures, including the Leap Forward initiative to promote positive mental health. The company is also dedicated to developing dance skills through various mentoring initiatives and professional development courses. Maiden Voyage remains Belfast’s only professional contemporary dance company.
