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The Academy for Children was created by University of Limerick's Access Office to enhance community engagement, to inspire future graduates and to widen the participation of underrepresented groups at third level.

Dance United Northern Ireland emerged from Dance United, a non-profit organization established in 2000 by choreographers Mags Byrne and Royston Maldoom and independent television producer Andrew Coggins. In April 2007, Byrne as Artistic Director and Maldoom as Consultant Director established Dance United Northern Ireland as an entirely separate and independent entity. This professional dance development company works across the island of Ireland and internationally, advocating dance as a tool to facilitate personal and social development, advance dance as an art form, build community connections, and foster tolerance and respect. Its approach has been formulated into four separate but interconnected programmes of work. Building Bridges aims to connect young people who are at risk of being socially segregated due to their special needs, cultural difference, behavioural difficulties, or disability. Crossing the Divide focuses on cross-community work, bringing communities together using dance as a tool to provide people with a safe environment to let go of fears and prejudices. Closing the Gap focuses on inter-generational work and addresses the breakdown in contact between people of different ages. Opening the Spectrum comprises workshops and performances that have a social or developmental aim but do not naturally fit into the company’s other generic programmes. In April 2012, Dance United Northern Ireland changed its name to DU Dance (NI).

Dance Theatre of Ireland was founded in June 1989 by Robert Connor and Loretta Yurick, former members of Dublin Contemporary Dance Theatre. Since its inception, the company has created and produced some forty dance works for theatre, festivals, and television, and presented and commissioned work of international choreographers to introduce dance in its wider context to the Irish audience. The company has toured most major venues in Ireland and participated in some of the most prestigious festivals and theatres in Europe, Korea, and the USA. In 2000, with the support of the Arts Council, Dun Laoghaire Rathdown County Council, and Dunloe Ewart Properties, Dance Theatre of Ireland opened a purpose-built Centre for Dance to provide a permanent home for the company, rehearsal space for new work, and a venue for dance classes and workshops to dance enthusiasts of all ages.

Cork City Ballet is one of only two professional ballet companies in Ireland. It was formed in 1991 by Alan Foley to address the void left by the closure of the Cork-based Irish National Ballet in 1989 due to a lack of funding. Cork City Ballet presented its first public performance at the Everyman Palace Theatre on 27 March 1992 and continues to operate under the artistic directorship of Alan Foley, who also acted as the ballet’s principal male dancer until his retirement in that capacity in 2007.

International Dance Festival Ireland was inaugurated in 2002 under the guidance of Catherine Nunes to pioneer the promotion of contemporary dance in Ireland. Originally a biennial event, the Festival was an immediate success, attracting international work from highly respected artists. In September 2007, Laurie Uprichard replaced Nunes as Artistic Director, and the festival name was changed to Dublin Dance Festival. From 2008, the Festival has been an annual event and continues to feature a breadth of international artists while also showcasing the best of Irish contemporary dance. More information about the festival and its history can be found at www.dublindancefestival.ie.

Fitzgerald & Stapleton is a contemporary dance company founded and directed by Emma Fitzgerald and Áine Stapleton. The company’s choreo¬graphic work focuses on the interaction between the body and contemporary society, and the objectification of the body to create revenue for the beauty, diet, and pornography industries, aiming to offer an alternative value system for looking at and relating to the body. In addition to Irish venues, Fitzgerald & Stapleton have toured widely and performed their work at Chocolate Factory Theater and Judson Church, New York; the Pompidou Centre, Paris; and the Performing Arts Forum, Reims. Áine Stapleton has been named as one of the Top 30 Artists under the ages of 30 for her contribution to Ireland’s cultural life.

The City of Dublin Championships was established in 2007 as an annual international competition. It takes place over two weekends each year, for graded dancers in January and Open Championship and graded adult dancers in March. The competition has attracted participants from all over Ireland, the UK, France, Germany, Poland, Norway, Finland, Russia, Australia, Japan, Taipei, Czech Republic, Italy, Israel, The Netherlands, and Austria. One of the unique aspects of the championships is the City of Dublin Plate Competition (junior and senior), in which the top three dancers in each championship compete for the overall champion award (plate). Instead of the traditional costumes, the dancers must wear black outfits for the plate competitions.

The Irish National Youth Ballet Company (originally named the Irish Junior Ballet Company) was co-founded by Anne Campbell-Crawford and Professor Jean Wallis of the Akademie der Tanzen, Heidelberg, Germany. The company had its first auditions in 1995 and gave its first performance in February 1996 at the Royal Hibernian, Gallaher Gallery, Dublin. Its dancers are aged 10-21 years, and a junior level for children aged 8 and over was established in September 1999. The company aims to provide young dancers an enriching experience during their formative years and to give them a flavour of what it might be like to pursue a career in dance.

The Monsells, of French extraction, were a plantation family from Dorsetshire, England, who had settled in Tervoe, county Limerick by the 1660s. Many of the early members of the family were prosperous merchants and landowners, most notably Samuel Monsell (d. 1735), a shipping merchant whose business extended from Ireland to England, France, Holland and Spain. Of his several sons, the eldest, William (1705-1772) became a lawyer. His second marriage in 1751 to Dymphna Pery (d. 1774), sister of Edmond Sexton Pery, MP and three-time Speaker of the Irish House of Commons, gave the Monsells not only a distinguished pedigree but considerable political influence. Their son, Colonel William Thomas Monsell (1754-1836), married Hannah Strettell of Dublin, whose father Amos Strettell was director of the Bank of Ireland. Their younger son, Thomas, became Archdeacon of Derry and was father to the noted hymnologist John Samuel Bewley Monsell and to the celebrated botanical artist Diana Conyngham Ellis née Monsell. Colonel Monsell’s elder son, William, was grandfather to and namesake of the distinguished politician William Monsell (1812-1894). His first wife, Anna Maria Wyndham Quin (1814-1855), whom he married in 1836, was daughter of the second Earl of Dunraven of Adare Manor, county Limerick, then one of the wealthiest men in Ireland. William Monsell was created 1st Baron Emly of Tervoe in 1874. The title became extinct on the death of his only surviving son, Thomas William Gaston Monsell (1858-1932), from his second marriage to Berthe de Montigny Boulainvilliers (d. 1890).