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The National Ballet was formed in 1963 through the amalgamation of Joan Denise Moriarty's Irish Theatre Ballet and the National Ballet Company directed by Patricia Ryan. Moriarty and Ryan were appointed co-directors of the company, but the two women and their visions for ballet were radically different, and the company disbanded in 1964, shortly after its first season.

For a full biography of the Reverend Edward Nangle, please refer to the Dictionary of Irish Biography, https://www.dib.ie/biography/nangle-edward-walter-a6133.

Ingrid Nachstern is the daughter of English-born Evelyn Graham and Ukrainian-born Polish violinist Arthur Nachstern (1911-1999), one-time leader of the National Symphony Orchestra. She grew up in Dublin and studied French and Italian at Trinity College and German at the Goethe institute. She also learnt ballet from the age of 3 under the instruction of Muriel Catt but gave it up at 17. She took up dancing again in her 30s, taking ballet classes with Richard Sugarman in Toronto and Joanna Banks in Dublin. In 1996, Nachstern completed the Royal Academy of Dance teacher training course, and a year later she opened her own ballet school in Sandymount, Dublin. Nachstern’s career as a choreographer began in 1999 following the death of her father, which was a devastating blow but also a source of new creative energy. Her choreographic work, which fuses classical ballet with contemporary dance, has found expression through the Night Star Dance Company, which she founded in 2003.

Patricia Mulholland was the founder of the Irish Ballet School in Belfast and of the Irish Ballet Company, which made its debut in 1951 during the Festival of Britain in the Empire Theatre, Belfast. In 1953, at the request of the Council for the Encouragement of Music and the Arts (CEMA), Mulholland devised and produced the first Irish folk ballet, Cuchulain. A further group of ballets was sponsored by CEMA, including The Piper, The Dream of Angus Óg and Follow Me Down to Carlow. Other works in her extensive choreography, strongly influenced by Irish legends and folklore, include The Mother of Oisín, The Black Rogue, The Oul’ Lammas Fair in 1900, The Children of Lír, Phil the Fluter’s Ball and The Hound of Culann. Mulholland’s choreographies were not ballet in the classical sense but a form of folk ballet – Irish mythology interpreted by Irish dancers to Irish music and song. Patricia Mulholland is regarded as one of the most influential figures of twentieth-century Irish traditional dancing and the founder of Festival Dance, a specialised form of Irish dancing which focuses on the individuality of each dancer’s style, thus breaking away from the more rigid and formulaic ‘Feis’ style.

Mary Anne Mulcahy (née O’Keeffe) was born in 1927 in Mallow and first became interested in Irish dancing at the age of seven as a pupil of Joan Denise Moriarty, then the only Irish dancing teacher in the area. She later trained with Cormac O’Keeffe in Cork city. Having acquired teaching qualifications c. 1947, she established the Mulcahy School of Irish Dancing, which is now run by her daughter Breda. She also qualified as an adjudicator c. 1966. Mary Mulcahy remains well known in the Irish dancing circles and continues to travel around the world with pupils of the Mulcahy School of Irish Dancing.

The Odellville estate passed from the Odell to the Morony family through the marriage of Helen Mary Odell to Edmund Morony in 1860. Their elder daughter, Eliza Helena, married in 1884 her cousin, Henry Vereker Lloyd Morony. On his death the property passed to the couple's only child, Helen Mary Matilda Morony, who married Edward Locke Lloyd of Heathfield, county Limerick, in 1917.