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The National Ballet Company evolved as a professional body from the National Ballet School under the directorship of Patricia Ryan. In 1963, it fused with Joan Denise Moriarty's Irish Theatre Ballet to form the National Ballet.

The National Ballet was formed in 1963 through the amalgamation of Joan Denise Moriarty's Irish Theatre Ballet and the National Ballet Company directed by Patricia Ryan. Moriarty and Ryan were appointed co-directors of the company, but the two women and their visions for ballet were radically different, and the company disbanded in 1964, shortly after its first season.

For a full biography of the Reverend Edward Nangle, please refer to the Dictionary of Irish Biography, https://www.dib.ie/biography/nangle-edward-walter-a6133.

Ingrid Nachstern is the daughter of English-born Evelyn Graham and Ukrainian-born Polish violinist Arthur Nachstern (1911-1999), one-time leader of the National Symphony Orchestra. She grew up in Dublin and studied French and Italian at Trinity College and German at the Goethe institute. She also learnt ballet from the age of 3 under the instruction of Muriel Catt but gave it up at 17. She took up dancing again in her 30s, taking ballet classes with Richard Sugarman in Toronto and Joanna Banks in Dublin. In 1996, Nachstern completed the Royal Academy of Dance teacher training course, and a year later she opened her own ballet school in Sandymount, Dublin. Nachstern’s career as a choreographer began in 1999 following the death of her father, which was a devastating blow but also a source of new creative energy. Her choreographic work, which fuses classical ballet with contemporary dance, has found expression through the Night Star Dance Company, which she founded in 2003.

Mungret Agricultural School was established in response to a broader movement for agricultural education in Ireland, which gained momentum in the 1830s. Although the National Board of Education supported agricultural schools from 1832 onwards, Mungret’s origins were unique. It was funded through the Reproductive Loan Fund, raised in England during the 1825 famine for the relief of distress and later reclaimed in 1852. Influenced by Lord Monteagle, a bill (11 and 12 Victoria, C.115) allowed the debt due to the fund from County Limerick to be redirected and vested in trustees to establish an agricultural school.

In 1853, trustees purchased 71 acres at Mungret and leased it to the National Board for 61 years. Construction began in 1854, and by 1858, the school opened with dormitories for 75 boarders. The curriculum combined practical farm work with literary and agricultural studies, aiming to train future farmers and agricultural teachers. The course was designed to last for 12 months, after which the boarders could continue their studies at the Albert National Agricultural Training Institution in Glasnevin.

However, the school struggled from the outset. Its facilities were too grand to serve as realistic models for small farmers, and fees eventually rose from £8 to £26, alienating its target demographic. By 1870, only 8 boarders remained, and criticism mounted that students performed menial labour without learning skilled agricultural techniques. The school never exceeded 23 boarders. It was closed 1878, and the National Board surrendered the least to the trustees. Bound by the original trust deed to maintain an agricultural school, the trustees took possession of the property but soon acknowledged the venture as a complete failure. In a report to the Lord Lieutenant, they proposed repurposing the school into an institution offering general education, ideally positioned between primary and collegiate levels, though not excluding agriculture. To enable this change, a parliamentary bill was passed allowing the Lord Lieutenant, with Treasury approval, to redirect the use of the land, buildings and trust funds for broader educational purposes.

In August 1880, the trustees leased the premises to the Reverend Joseph Bourke, president of St. Munchin’s Seminary. Bourke intended to operate both the new boarding school at Mungret and the original seminary in Limerick. However, the dual operation proved unsustainable. Mungret failed to attract enough boarders, and by summer 1881, Bourke, facing financial difficulties and lacking support from the bishop, surrendered the lease. This transitional period set the stage for a more successful chapter: in 1882, the Jesuits, led by Father Ronan SJ, took over the site and established a university college, which later evolved into Mungret College, operating until its final closure in 1974.

Patricia Mulholland was the founder of the Irish Ballet School in Belfast and of the Irish Ballet Company, which made its debut in 1951 during the Festival of Britain in the Empire Theatre, Belfast. In 1953, at the request of the Council for the Encouragement of Music and the Arts (CEMA), Mulholland devised and produced the first Irish folk ballet, Cuchulain. A further group of ballets was sponsored by CEMA, including The Piper, The Dream of Angus Óg and Follow Me Down to Carlow. Other works in her extensive choreography, strongly influenced by Irish legends and folklore, include The Mother of Oisín, The Black Rogue, The Oul’ Lammas Fair in 1900, The Children of Lír, Phil the Fluter’s Ball and The Hound of Culann. Mulholland’s choreographies were not ballet in the classical sense but a form of folk ballet – Irish mythology interpreted by Irish dancers to Irish music and song. Patricia Mulholland is regarded as one of the most influential figures of twentieth-century Irish traditional dancing and the founder of Festival Dance, a specialised form of Irish dancing which focuses on the individuality of each dancer’s style, thus breaking away from the more rigid and formulaic ‘Feis’ style.

Mary Anne Mulcahy (née O’Keeffe) was born in 1927 in Mallow and first became interested in Irish dancing at the age of seven as a pupil of Joan Denise Moriarty, then the only Irish dancing teacher in the area. She later trained with Cormac O’Keeffe in Cork city. Having acquired teaching qualifications c. 1947, she established the Mulcahy School of Irish Dancing, which is now run by her daughter Breda. She also qualified as an adjudicator c. 1966. Mary Mulcahy remains well known in the Irish dancing circles and continues to travel around the world with pupils of the Mulcahy School of Irish Dancing.