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Dr Ruth Fleischmann was born in Cork in 1942 as the eldest of five children of the composer and conductor Aloys Fleischmann and his wife Anne née Madden. She graduated from University College Cork in 1963 and continued her studies at the German University of Tübingen. She was awarded a PhD by University College Cork in 1983. From 1981 until her retirement in 2007, Fleischmann held a lectureship in the English Department of the University of Bielefeld in Germany. She lives in Germany, has written extensively on Irish literature, and is the editor and author of several books on Joan Denise Moriarty and members of the Fleischmann family.

Thomas Graham and Joyce Ann MacCafferty were former pupils and dancers of the Belfast-born Patricia Mulholland (1915-1992). Mulholland was the founder of the Irish Ballet School in Belfast and of the Irish Ballet Company, which made its debut in 1951 during the Festival of Britain in the Empire Theatre, Belfast. In 1953, at the request of CEMA, Mulholland devised and produced the first Irish folk ballet, Cuchulain. A further group of ballets was sponsored by CEMA, including The Piper, The Dream of Angus Óg, and Follow Me Down to Carlow. Other works in her extensive choreography, strongly influenced by Irish legends and folklore, include The Mother of Oisín, The Black Rogue, the Oul’ Lammas Fair in 1900, The Children of Lír, Phil the Fluter’s Ball, and The Hound of Culann. Mulholland’s choreographies were not ballet in the classical sense but a form of folk ballet – Irish mythology interpreted by Irish dancers to Irish music and song. Patricia Mulholland is regarded as one of the most influential figures of twentieth-century Irish traditional dancing and the founder of Festival Dance, a specialised form of Irish dancing which focuses on the individuality of each dancer’s style, thus breaking away from the more rigid and formulaic ‘Feis’ style.

Ingrid Nachstern is the daughter of English-born Evelyn Graham and Ukrainian-born Polish violinist Arthur Nachstern (1911-1999), one-time leader of the National Symphony Orchestra. She grew up in Dublin and studied French and Italian at Trinity College and German at the Goethe institute. She also learnt ballet from the age of 3 under the instruction of Muriel Catt but gave it up at 17. She took up dancing again in her 30s, taking ballet classes with Richard Sugarman in Toronto and Joanna Banks in Dublin. In 1996, Nachstern completed the Royal Academy of Dance teacher training course, and a year later she opened her own ballet school in Sandymount, Dublin. Nachstern’s career as a choreographer began in 1999 following the death of her father, which was a devastating blow but also a source of new creative energy. Her choreographic work, which fuses classical ballet with contemporary dance, has found expression through the Night Star Dance Company, which she founded in 2003.

Not known.

Irish Modern Dance Theatre, also known as John Scott Dance, was founded in 1991 by Dublin-born John Scott to create and commission new works to expand the experience of dance theatre for audiences in Ireland and abroad. Since its instigation, the company has operated the policy of employing Irish dancers in its work whenever possible and seeking Irish dancers living abroad to bring them back to work in Ireland. It has also forged links with international choreographers and other artists, including Meredith Monk, John Jasperse, Thomas Lehmen, Sara Rudner, Sean Curran, Chris Yon, Deborah Hay, and Charles Atlas. The Irish Modern Dance Theatre has produced several ground-breaking works which break traditional theatre and dance conventions, leaving audiences thrilled and sometimes shocked. They have been performed in theatres, art centres and schools across Ireland. International venues include PS 122, Danspace Project at St Marks Church, La MaMa (New York), Forum Cultural Mundial, SESC (Rio De Janeiro), l’Étoile Du Nord (Paris), Pustervikstheatern (Göteborg), Varna Summer Festival, Kanuti Gildi SAAL (Estonia), Scenario Pub.bli.co (Sicily) andAl Kasaba Theatre (Ramallah).