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For a full biography of Kathleen Clarke, please refer to the Dictionary of Irish Biography, https://www.dib.ie/biography/clarke-kathleen-caitlin-bean-ui-chleirigh-a1707.

For a full biography of Thomas Clarke, please refer to the Dictionary of Irish Biography, https://www.dib.ie/biography/clarke-thomas-james-tom-a1713.

Rosemarie Cockayne was born Rosemarie Edwina Biggers on 4 November 1943 in Montreal, Canada. Her parents were Harold Edwin Biggers (1900-1979), a barrister and political journalist from Australia, and Evelyn Linda née Cockayne (1906-1980), an English-born commercial artist who had emigrated to Australia with her mother and sister in 1913. In 1944, the Biggers family returned from Canada to London, where Rosemarie’s parents had lived for some years prior to her birth.

Rosemarie was educated at Miss Ironside’s School for Girls in Kensington, London. Her interest in the performing arts emerged at an early age. When she was seven years old, she took mime lessons with the legendary Russian prima ballerina Tamara Karsavina (1885-1978), who quickly spotted Rosemarie’s aptitude for dance. She recommended her to the Polish ballet master Stanislas Idzikowski (1894-1977), and it was under his tutelage that Rosemarie took the first steps towards her future career. While continuing to study at her day school, she furthered her dance training at the Royal Ballet School. She appeared in ballet and opera productions at Covent Garden and, in 1958, was given a role as Miriam in the film Drawn from the Nile. Having left the Royal Ballet School, Rosemarie became a ballet soloist and later a ballerina at the Basle State Ballet in Switzerland under the direction of Waslaw Orlikowsky. It was at around this time that she assumed her mother’s maiden name as her stage name.

While living and working in Switzerland, Rosemarie developed an interest in painting. She adopted expressionism and its vibrant use of strong colours as her dominant style. She returned to England to study painting at Saint Martin’s School of Art and at Morley College in London. To fund her studies, she continued dancing and took up fashion modelling aided by her mother, who drew fashion illustrations for the stores in Kensington and Knightsbridge. Rosemarie held her first exhibition at Clarges Gallery, London in February 1972. For the next thirty years, she exhibited her work widely in England and internationally in Sweden, Canada, and Brazil. In addition, she produced company logos, record sleeves, and stage designs, most notably sets and costumes for Dublin City Ballet’s productions.

Later in her artistic career, Rosemarie Cockayne combined her love of art with her deep interest in people and the environment. She began to do voluntary work with children, the homeless, and the disabled as Artist in Residence for several community groups, running art workshops and sitting at committees concerned with art and education. Among the charities she collaborated with were Field Lane, The Pembroke Centre, and Providence Row. Her work with the city’s charities was honoured in 2000 with the Freedom of the City of London.

Rosemarie Cockayne died after a long illness on 3 February 2015. Her funeral was held at the church of St John the Baptist in Kensington, and her ashes interred at the church of St John the Baptist in the parish of Cockayne Hatley in Bedfordshire alongside her parents.

Irish poet, novelist, playwright and biographer and one of the leading figures of the early 20th-century Irish Literary Revival.

Frances Condell was born Frances Eades on 29 June 1916 in Limerick. She married Robert Condell in 1936, and by him had one child, Alan, born in 1937. Condell worked as a teacher in Villiers School from 1955 until 1959, when she was appointed welfare officer for the Shannon Free Airport Development Company. In 1964, she was appointed public relations officer for Guinness Ireland on a part-time basis. Condell entered local politics in 1960, when she was elected as a non-political and first ever female Councillor to Limerick City Council. She was nominated and elected mayor of Limerick in 1962, the first woman ever to be officially voted into this position in Ireland. She was re-elected as mayor in 1963, during which term she was to host several visiting dignitaries, most notably President John F. Kennedy, Senator Edward Kennedy, President Kaunda of Zambia, Cardinal Browne and ‘Lady Bird’ Johnson, wife of President Lyndon B. Johnson. Condell withdrew from political life in 1967 owing to health problems. Throughout her life, Condell also worked as a journalist and was a regular contributor of articles and poetry to the Limerick Echo, The Church of Ireland Gazette, Woman’s Way and The Irish Independent. She died after a long illness on 10 November 1986 in Limerick.

Niamh Condron was born in Dublin in 1976 and gained a BA in Dance from the Northern School of Contemporary Dance, Leeds, in 1999. She has worked as a dancer with Scott Wells & Dancers Company (San Francisco), Justin Morrison (San Diego), Irish Modern Dance Theatre (Dublin), Sioned Hews Dance Company (Belgium), Earthfall Physical Theatre (Wales), The Curve Foundation (Scotland), and Dance Theatre of Ireland (Dublin). In 2001, Condron won a scholarship for emerging dance artists to train at the Impulstanz Festival, Vienna, and in the same year founded the This Torsion Dance Theatre to explore movement and performance, combining dance, music, and voice. Condron performs with the company at theatres, festivals, and alternative performance spaces in Ireland and abroad. In 2006, she founded the Vibrate Dance Festival and acted as its Artistic Director until 2008.

Former member of the Provisional Irish Republican Army (IRA) and one of the kidnappers of the industrialist Tiede Herrema in Limerick in 1975.

Patricia Crosbie was born in Cork in 1958 and began her early dance training in Joan Denise Moriarty’s school of dance. She danced with Cork Ballet Company, founded by Moriarty in 1947; and in the Irish Ballet Company, founded by Moriarty in 1973 and renamed Irish National Ballet in 1983. Her many roles included Odette/ Odile in Swan Lake; Sugar Plum Fairy/ Snow Queen in The Nutcracker, and Widow Quin in The Playboy of the Western World. She is ballet mistress with Cork City Ballet.

Michael Curtin was born in Limerick in 1942 and educated at the Sexton Street Christian Brothers’ school. In the 1960s, having spent five years working in a cement plant, he emigrated to London to try his hand as a writer. Finding no success, he returned to Limerick, where the broadcaster David Hanly encouraged him to continue writing. Several of Curtin’s short stories were subsequently published in the New Irish Writing column in the Irish Press and one of them took first prize at Listowel Writers’ Week in 1972. His first novel, The Self-Made Men, a partly autobiographical account of immigrant life in England, was published in 1980 by André Deutsch. Five further novels followed: The Replay (1981), The League Against Christmas (1989), The Plastic Tomato Cutter (1991), The Cove Shivering Club (1996), and Sing! (2001). Many of Curtin’s stories are set in his native city of Limerick and are characterised by a darkly comic tone, which became Curtin’s trademark. Michael Curtin died in his native city in April 2016.