Bereich "Identifikation"
Signatur
Titel
Datum/Laufzeit
- June 1942 (Anlage)
Erschließungsstufe
Umfang und Medium
4 pp.
Bereich "Kontext"
Name des Bestandsbildners
Biographische Angaben
Sara Payne was born in England in 1907 into a theatrical family. She was the daughter of the theatre director Ben Iden Payne and actress Mona Limerick. Payne was amongst the first cohort of students at Ninette de Valois’ school, the Academy of Choreographic Art, London. From 1928 until 1931 she was Principal at the Abbey Theatre School of Ballet. In 1936, Payne returned to Dublin, where she established the Sara Payne School of Dance and Mime and a dance company. In parallel, she worked as a choreographer and dancer at the Gate Theatre.
Payne’s vision for the development of ballet in Ireland focused on fusing ballet with traditional Irish dance steps and patterns. This is exemplified by her Irish-themed ballets, including Doomed Cuchulain, The Scarecrow and A Fiddler’s Story. Payne’s inclusion of trained traditional Irish dancers and musicians in performances took her vision a step further.
In c. 1946, Payne return to England, and by 1955 she was working again with de Valois at the White Lodge, Royal Ballet School, London, where she remained until her retirement in 1972. Sara Payne died in 1993.
Bestandsgeschichte
Abgebende Stelle
Bereich "Inhalt und innere Ordnung"
Eingrenzung und Inhalt
Programme of performances of ballet directed by Sara Payne at the Gate Theatre, Dublin. The repertoire included Act II of Casse Noisette; Russian Court Dance; Mairin de Barra/ Thankye Ma’am Says Dan; Waltz from Les Sylphides; Czardas; Tarantelle; Van Dieman’s Land; Pas Seul; Silent Noon; Waltz; A Fiddler’s Story; Ich Grolle Nicht and Liebeslieder.
Bewertung, Vernichtung und Terminierung
Zuwächse
Ordnung und Klassifikation
Bedingungen des Zugriffs- und Benutzungsbereichs
Benutzungsbedingungen
Reproduktionsbedingungen
In der Verzeichnungseinheit enthaltene Sprache
- Englisch