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International Dance Festival Ireland was inaugurated in 2002 under the guidance of Catherine Nunes to pioneer the promotion of contemporary dance in Ireland. Originally a biennial event, the Festival was an immediate success, attracting international work from highly respected artists. In September 2007, Laurie Uprichard replaced Nunes as Artistic Director, and the festival name was changed to Dublin Dance Festival. From 2008, the Festival has been an annual event and continues to feature a breadth of international artists while also showcasing the best of Irish contemporary dance. More information about the festival and its history can be found at www.dublindancefestival.ie.

Dublin Youth Dance Company was founded in 2000 by Dance Theatre of Ireland’s artistic directors, Robert Connor and Loretta Yurick to give young people the opportunity to engage in training, creating, and performing dance. The company in its early years was run under the leadership of J. J. Formento. In 2001, the company hosted the first Irish Youth Dance Festival at the Pavilion Theatre, Dún Laoghaire, which has since become an annual event. It has also participated in a number of high-profile dance events in Ireland and abroad. In 2003, Mariam Ribón replaced Formento as the company’s artistic director. She continues to lead Dublin Youth Dance Company and to expand the scope and vision of the Irish Youth Dance Festival.

Emmanuel College, Cambridge was founded in 1584 by Sir Walter Mildmay (1520/21-1589), Chancellor of the Exchequer to Queen Elizabeth I, for the purpose of educating Protestant preachers. The college was puritan in its outlook, and its early statutes promoted a Spartan and disciplined regimen. Owing to its strong Protestant ethos, the College grew rapidly. By the 1620s, it was the largest in Cambridge. The College did not only expand physically. Over the course of the seventeenth century, it broadened its scope and developed into a centre of humanist and latitudinarian study.

Ferenka Limited was a steel-cord manufacturing plant located in Annacotty, Limerick. Its managing director, Dr Tiede Herrema, was kidnapped in October 1975 by members of the Provisional Irish Republican Army (IRA) to secure the release of three republican prisoners.

Firkin Crane, one of Cork City’s landmark buildings, was designed in 1855 by Sir John Benson to meet the needs of the city’s thriving butter market. Following the closure of this trade in 1924, the building acted as a margarine factory. It was later acquired by Joan Denise Moriarty with the financial assistance of the Arts Council to have it refurbished as a home for her professional dance company. During the refurbishment, the building was gutted by fire. It was subsequently restored with support from Cork City Council, the Irish Government, the European Union, Irish businesses, multi-national corporations, and the Irish American Fund, and re-opened in 1992 as a centre dedicated to dance, living theatre, concerts, opera, art exhibitions, poetry readings, and a variety of sound, visual, and multimedia arts. Until 2006, Firkin Crane was also the location of the Institute for Choreography and Dance (ICD), directed by Mary Brady, which aimed to stimulate choreographic practice and dance research as a means of dance development. It provided space for interchange between choreographers to examine issues, work methodologies, and goals particular to each, in a practice-centred environment. Today, Firkin Crane provides a supportive environment for professional artists in the form of a professional residency programme, Blank Canvas.

Fitzgerald & Stapleton is a contemporary dance company founded and directed by Emma Fitzgerald and Áine Stapleton. The company’s choreo¬graphic work focuses on the interaction between the body and contemporary society, and the objectification of the body to create revenue for the beauty, diet, and pornography industries, aiming to offer an alternative value system for looking at and relating to the body. In addition to Irish venues, Fitzgerald & Stapleton have toured widely and performed their work at Chocolate Factory Theater and Judson Church, New York; the Pompidou Centre, Paris; and the Performing Arts Forum, Reims. Áine Stapleton has been named as one of the Top 30 Artists under the ages of 30 for her contribution to Ireland’s cultural life.

The 10th (Prince of Wales's Own) Royal Hussars was a cavalry regiment of the British Army. It was formed in 1715, when it was known as Gore's Regiment of Dragoons. It was renamed the 10th Regiment of Dragoons in 1715 and, after two further name changes, became known as the 10th (Prince of Wales's Own) Royal Hussars. The regiment saw action during the Peninsular War, Crimean War, Second Anglo-Afghan War, Madhist War and Second Boer War and was subsequently stationed in India and South Africa. In October 1914, the regiment returned to Britain to join the British Expeditionary Force for service on the Western Front during the First World War. On its return to Britain in 1921, the Regiment was retitled The 10th Royal Hussars (Prince of Wales's Own). In October 1969, it amalgamated with the 11th Hussars (Prince Albert's Own) to form the Royal Hussars (Prince of Wales's Own).

The 6th (Inniskilling) Dragoons was a cavalry regiment in the British Army. It was first raised in 1689 as Sir Albert Cunningham's Regiment of Dragoons. It was renamed Echlin's Dragoons in 1691, 6th (Inniskilling) Regiment of Dragoons in 1751 and 6th (Inniskilling) Dragoons in 1861. The regiment fought in the Battle of the Boyne in July 1690 and also saw action at the Battle of Waterloo, the Crimean War, the Second Boer War and the on the Western Front during the First World War. In 1922, the regiment amalgamated with the 5th (Princess Charlotte of Wales's) Dragoon guard to form 5th/6th Dragoons in 1922.